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Tomorrow's Filmmakers
Introduction
Welcome To Tomorrow's Filmmakers! (READ FIRST)
How to Join the Private Facebook Community Group
Student Map - (Connect With Each Other)
Next Step Challenges
Meet Your Instructors
Tomorrow's Filmmakers Affiliate Program (3:13)
1 Hour Filmmaking Webinar 2019 - Replay (85:12)
Downloads
DOWNLOAD - Tomorrow's Filmmaker's Sniper Scope Pack (0:38)
DOWNLOAD - Tomorrow's Filmmaker's Movie Poster Template
DOWNLOAD - Color Grading Still Shots
DOWNLOAD - White Balance Color Charts
DOWNLOAD - Fight Scene Sound Effects
DOWNLOAD - Lightsaber Special Effects
DOWNLOAD - Bullet Shell Special Effects (1:03)
DOWNLOAD - Star Wars Blaster Special Effects (0:01)
DOWNLOAD - The Hero's Journey Timelines
DOWNLOAD - Movie Scripts and Screenplays
DOWNLOAD - Aspect Ratios Template
DOWNLOAD - Storyboarding Templates
DOWNLOAD - Storyboarding Thumbnail Templates
DOWNLOAD - Reliant Shot List
Discounts!
WATCH FIRST - How The Discounts Work (5:00)
Discount: 60% Off Adobe Creative Cloud
Discount: $100 Off Final Cut Pro X
Discount: 50% Off RED GIANT Software
Discount: Academic Discount on Apple Products
Discount: 15% Off LensProToGo
Discount: $50 Rental Credit to LensProToGo
Discount: 15% Off Video Copilot
Discount: 20% Off ActionVFX
Discount: 10% Off UpDesk Products
Discount: 10% Off Kessler Krane Products
Discount: 2 Free Months on Artlist
Discount: 10% Off Rhino Camera Gear
Discount: 20% Off Filmstro
Discount: 20% Off Musicbed
Discount: 15% Off Glidecam Products
Discount: 20% Off Filmpac
Discount: 10% Off Film Supply
Discount: 20% Off Epidemic Sound
Gear Guide
Hand Picked By Filmmakers - (READ FIRST)
Gear Guide - Cell Phone Starter Kit
Gear Guide - Beginning Starter Kit
Gear Guide - Cameras
Gear Guide - Lenses
Gear Guide - Lighting
Gear Guide - Audio Recorders
Gear Guide - Microphones
Gear Guide - Tripods
Gear Guide - Sliders
Gear Guide - Shoulder Rigs
Gear Guide - Stabilizers
Gear Guide - Cages
Gear Guide - Memory Cards
Gear Guide - Hard Drives
Gear Guide - Bags and Cases
Gear Guide - Drones
Gear Guide - Speakers
Gear Guide - Headphones
Gear Guide - Field Monitors
Gear Guide - Laptops
Gear Guide - Desktops
Gear Guide - Editing Monitors
Gear Guide - Tad's Storyboarding Supply Kit
The Basics - FILMMAKING
1.1 - 8 Things to Look for When Buying a Camera (8:51)
1.2 - ISO (6:20)
1.3 - Shutter Speed (10:03)
1.4 - Aperture (13:40)
1.5 - The Juggling Act (How to Run Your Camera) (8:59)
1.6 - All About Lenses (11:03)
1.7 - Zoom Lenses (16:52)
1.8 - Prime Lenses (14:40)
1.9 - What Lens Should I Buy (16:06)
1.10 - Canon L Series Lenses (11:59)
1.11 - Field Recorders (9:38)
1.12 - Microphones 101 (6:42)
1.13 - 6 Steps to Improve Your Audio (10:46)
1.14 - Mic Placement (7:39)
1.15 - Audio Recorder Settings (6:33)
1.16 - What Microphone to Buy (10:02)
1.17 - Where to Find Music (18:02)
1.18 - 6 Tips to Improve Your Filmmaking (9:08)
1.19 - What Camera To Buy (10:37)
The Basics - COMPOSITION
2.1 - Camera Angles (4:22)
2.2 - Camera Movement (10:14)
2.3 - 180 Degree Rule (8:01)
2.4 - Rule of Thirds (10:02)
2.5 - Types of Shots (10:50)
2.6 - Cuts and Transitions (12:04)
2.7 - Cinematic Transitions (13:25)
2.8 - Storyboarding (13:52)
2.9 - 3 Point Lighting (6:29)
2.10 - Direction of Light (8:55)
2.11 - Bouncing Light (7:13)
2.12 - Shot Designer (Amazing Filmmaking App) (20:37)
(COMING SOON) - 8 Steps of Composition
(COMING SOON) - 8 Steps to Cinematic Lighting
The Basics - Equipment
3.1 - All About Memory Cards (14:53)
3.2 - Tripods (9:33)
3.3 - Sliders (6:23)
3.4 - Stabilizers 101 (7:31)
3.5 - What Stabilizer Should I Get? (9:16)
3.6 - Balancing Curved Stabilizer (6:45)
3.7 - Balancing Glidecam Stabilizer (9:57)
3.8 - Balancing DJI Ronin-M (9:20)
3.9 - Balancing DJI Ronin-S (Emmaus Vanderbilt) (5:59)
3.10 - How to Operate Your Glidecam (6:18)
3.11 - Top Glidecam Movements (4:39)
3.12 - Top Glidecam Tips and Tricks (10:58)
3.13 - Tripod Hacks (9:09)
Business
20.1 - So You Want to Start a Film Business? (3:48)
20.2 - Your Business Timeline (2:42)
20.3 - Changing Your Mindset (6:15)
20.4 - Purchasing Your First Gear (7:46)
20.5 - Getting Your First Clients (8:59)
20.6 - Demo Reel 101 (5:34)
20.7 - Building Your Demo Reel (11:25)
20.8 = Naming Your Business (7:15)
20.9 = Creating Your Logo (7:24)
20.10 = Your Domain Name (7:26)
20.11 - Building Your Website (21:41)
20.12 - Custom Email Address (4:37)
20.13 - Communicating With Your Client (8:22)
20.14 - The Truth About What You're Charging (8:30)
20.15 - What to Charge 101 (7:14)
20.16 = Your Rates (9:31)
20.17 - Pricing Your Weddings (10:16)
20.18 - Pricing Real Estate Videos (6:43)
20.19 - The Importance Of Social Media (6:29)
20.20 - Cold Emails (9:46)
20.21 - Student Feedback - (Cold Emails/Website) (11:21)
20.22 - How An 18 Year Old Grew His Film Business To Make $100,000 a Year! (19:44)
20.23 - 5 Steps to a Successful Film Business (18:01)
(COMING SOON) More Business Lessons Currently Being Worked On
Writing
8.1 - Writing 101 (3:40)
8.2 - Coming Up with an Idea (9:13)
8.3 - Brainstorming (7:02)
8.4 - Inspiration (4:22)
8.5 - The Hero's Journey (12:42)
8.6 - Piecing Your Ideas Together (5:43)
8.7 - Basic Character Archetypes (8:43)
8.8 - Creating Heroes (10:52)
8.9 - Creating Villains (7:11)
8.10 - How to Write Lost People (12:02)
8.11 - Writing the Gospel (12:55)
8.12 - How to Avoid Cheese (16:34)
8.13 - Scriptwriting Software (8:06)
8.14 - Screenplay Formatting, Part 1 (9:39)
8.15 = Screenplay Formatting, Part 2 (11:29)
Cameras - LEARN MORE
2.5 - Why a DSLR (15:09)
2.6 - DSLR vs. Handycam (10:28)
2.8 - How to Film With a Cell Phone (12:51)
2.9 = Filmmaking Apps 101 (11:27)
2.10 - White Balance 101 (12:25)
2.11 - Adjusting Your White Balance (12:25)
2.12 - Frame Rates (10:39)
2.13 - Slow Motion (9:04)
2.14 - Picture Styles (7:37)
2.15.1 - Setting Up Your Picture Style (6:53)
2.15.2 - How To Download Technicolor Cinestyle (3:39)
2.16 - Canon C100 Mark II Review (19:01)
2.17 - Canon C200 Overview and Review (21:14)
Gear - LEARN MORE
9.12 - Gun Props (13:29)
9.13 - How to Make Your Gun Props Look Realistic (9:18)
9.14 - DIY Captain America Shield (19:10)
9.15 - DIY Lightsaber Prop (13:17)
4.6 - DIY Boom Pole (13:38)
5.4 - DIY Bounce Board (12:48)
5.6 - DIY Light Bar (10:17)
4.10 = DIY Vocal Booth (6:42)
5.5 - Chinese Lanterns (8:51)
3.6 - 50mm Shootout (20:41)
4.5 - Recording Foley (9:53)
4.7 - Compose Your Own Music (13:28)
4.8 - Filmstro Overview (12:12)
4.4 - The Importance of Music (9:28)
Theory
1.1 - The Power of Cinema (10:28)
1.2 - The Importance of Christian Filmmaking (7:37)
1.3 - The Importance of Music (9:28)
1.4 - Discouragement (8:15)
1.5 - Negative Criticism (7:26)
1.6 - Color in Storytelling (11:17)
1.7 - The Problem With Christian Movies (12:25)
1.8 - Cowardly Filmmaking (10:52)
1.9 - Film Crew, Part 1 (13:50)
1.10 - Film Crew, Part 2 (19:27)
1.11 - How to Get Into Filmmaking (15:54)
1.13 - Signs Analyzed (35:52)
1.14 - Silence Analyzed (45:49)
1.15 - The Force Awakens vs. Rogue One (14:01)
1.16 - Aspect Ratios (15:27)
1.17 - Aspect Ratios: How to Use Them (11:12)
Audio Cinema Course - Taught by Joseph Santoyo
5.1 - The Importance of Sound (2:19)
5.2 - What You Need To Record Audio (2:13)
5.3 - Cables (5:07)
5.4 - Field Recorders (Part 1) (4:49)
5.5 - Field Recorders (Part 2) (2:58)
5.6 - Field Recorder Settings (15:12)
5.7 - Preamps (1:23)
5.8 - The Basics of a Wireless System (3:26)
5.9 - Connecting a Wireless System (8:32)
5.10 - Accessories (Audio Adapters and Scissors) (3:50)
5.11 - Accessories (Audio Bag and Harness) (3:39)
5.12 - Accessories (Audio Cases and Gear Organization) (5:57)
5.13 - Accessories (Bongo and Rip Ties) (2:45)
5.14 - Accessories (Boom Pole Holder) (1:03)
5.15 - Accessories (Furniture and Shoe Pads) (3:54)
5.16 - Accessories (IFB and Chairs) (2:28)
5.17 - Accessories (Straps and Snakes) (4:23)
5.18 - Wind Protection (3:15)
5.19 - Timecode (4:43)
5.20 - Lavalier Mics (8:22)
5.21 - General Principles of Wiring a Subject (6:48)
5.22 - Wiring Etiquette (4:31)
5.23 - Micing a Female (Skin) (2:29)
5.24 - Micing a Female (Collar, Neckline) (2:56)
5.25 - Micing a Female (Bra) (1:11)
5.26 - Micing a Male (Skin, Dress Shirt) (2:56)
5.27 - Micing a Male (Tie) (2:20)
5.28 - Micing a Subject Summary (2:13)
5.29 - Types of Boom Poles (2:39)
5.30 - Booming Technique (4:40)
5.31 - Mic Placement While Booming (13:08)
5.32 - Avoiding Shadows (3:16)
5.33 - Set Diplomacy (2:29)
5.34 - Setting Up Audio For an Interview (FULL SETUP) (22:47)
Cinematography Course Taught by Kris Kimlin
CC.1 - My Story (7:25)
CC.2 - What is Cinematography (4:19)
CC.3 - The Truth About Cinematography (3:13)
CC.4 - Who is the Cinematographer (9:40)
CC.5 - Chain of Command (5:03)
CC.6 - Choosing The Material (15:15)
CC.7 - Choosing The Director (11:36)
CC.8 - Set Etiquette (9:59)
CC.9 - The Hiring Process (5:26)
CC.10 - Know Your Worth (7:09)
CC.11 - Maintain Personal Life (5:24)
CC.12 - Perception and Truth (5:35)
CC.13 - Pre-Production (7:29)
CC.14 - Prepping The Director (9:35)
CC.15 - Prepping Your Crew (9:49)
CC.16 - Choosing Your Camera (5:38)
CC.17 - Selecting Your Crew (8:42)
CC.18 - Problem Resolution (7:56)
CC.19 - Training Your Eye (12:14)
CC.20 - Finding Work (10:14)
CC.21 - The Color Process (7:49)
CC.22 - Pitching Your Vision (15:02)
CC.23 - Visual References (12:53)
CC.24 - Aspect Ratios (13:21)
CC.25 - Storyboarding (13:10)
CC.26 - Camera Blocking (12:34)
CC.27 - Camera Movement 101 (11:21)
CC.28 - Camera Movement - Dramatic (7:53)
CC.29 - Camera Movement - Action (4:24)
CC.30 - Camera Movement - Comedy (3:23)
CC.31 - Cinematic Lighting (8:15)
CC.32 - Different Lighting Scenarios (8:16)
CC.33 - Studio Lighting (9:05)
CC.34 - Dramatic Lighting (7:14)
CC.35 - Mood and Color (11:38)
CC.36 - Cinematic Framing (12:24)
CC.37 - Sweating the Details (4:42)
CC.38 - Establishing, OTS, Close Up, and the Two Shot (9:28)
CC.39 - High-Low Angle Shot (9:16)
CC.40 - The Top Down-Over Head Shot (4:54)
CC.41 - The Power of Film and Why E.T. Is My Favorite Movie (5:36)
CC.42 - Outro (0:56)
(COMING 2020) Lighting 101 Course Taught by Joshua Ausley (50+ Lessons)
Full Lighting Course - Coming Soon
Editing in Premiere Pro
7.1 - Adobe Creative Cloud (7:13)
7.2 - Best Free Editing Software (5:01)
7.3 - Overview of Hitfilm 3 (8:16)
7.4 - Taking a Tour of Premiere Pro (9:51)
7.5 - Organizing Your Projects (9:10)
7.6 - Starting a New Project (5:08)
7.7 = Importing Footage (6:46)
7.8 - Creating a New Sequence (8:25)
7.9 - Basic Timeline Editing (12:46)
7.10 - Syncing Audio in Post (9:37)
7.11 - Adding B-Roll (15:26)
7.12 - Refining the Edit (8:11)
7.13 - Basic Audio Adjustments (10:50)
7.14 - Video and Audio Transitions (11:28)
7.15 - Looping Music (14:52)
7.16 - Creating Titles (12:30)
7.17 - Keyboard Shortcuts (10:02)
7.18 - Basic Color Correction (14:18)
7.19 - Fixing Clips in Post (12:30)
7.20 - Rendering Your Project (6:19)
7.21 - Exporting Your Project (14:50)
Editing in FCPX - Taught by Tate Kirgiss
Introduction (4:48)
FCPX.1 - Final Cut Pro Overview (4:51)
FCPX.2 - Final Cut Differences (1:55)
FCPX.3 - Inspector Window (1:35)
FCPX.4 - Effects Panel (3:23)
FCPX.5 - Audio and Color Panel (2:37)
FCPX.6 - Timeline Panel (2:35)
FCPX.7 - Preferences (6:54)
FCPX.8 - Settings (1:48)
FCPX.9 - Importing Footage (4:35)
FCPX.10 - Creating a Project (1:56)
FCPX.11 - The Magnetic Timeline (11:15)
FCPX.12 - Audio Adjustments (1:36)
FCPX.13 - Key Commands and Speed Ramping (7:15)
FCPX.14 - Compound Clips (2:58)
FCPX.15 - Effects Overview (5:14)
FCPX.16 - Stock Effects (6:55)
FCPX.17- Installing Presets and Plugins (4:58)
FCPX.18 - Transitions (2:12)
FCPX.19 - Generators (2:16)
FCPX.20 - Titles (2:23)
FCPX.21 - Keyframing (6:53)
FCPX.22 -Multicam Editing (5:54)
FCPX.23 - Color Correcting (8:45)
FCPX.24 - Exporting (8:55)
Editing in Hitfilm Express - Taught by Jay Haynes (FREE Editing Software)
HF.1 - How to Download Hitfilm Express (0:57)
HF.2 - HitFilm Workspace (5:09)
HF.3 - Shortcuts in HitFilm (1:42)
HF.4 - Importing Footage and other Assets (3:04)
HF.5 - Options When Working in the Viewer Window (2:50)
HF.6 - Merging Audio and Video (1:47)
HF-7 - Editor Timeline Intro (0:44)
HF.8 - Timeline Scaling (0:59)
HF.9 - Inserting Footage into your Project (4:22)
HF.10 - Changing the Track Properties (1:58)
HF.11 - Inserting and Renaming Tracks (1:08)
HF.12 - Labels (2:13)
HF.13 - Scrubbing (3:26)
HF.14 - Editor Timeline Tools (6:24)
HF.15 - Unlinking Video and Audio (1:00)
HF.16 - J and L Cuts (1:05)
HF.17 - Audio Mixer (2:43)
HF.18 - Controls Panel (3:23)
HF.19 - Introduction to Keyframes (3:05)
HF.20 - How to Use the Value Graph (4:47)
HF.21 - Search Tools (1:12)
HF.22 - Adding Effects in the Editor Timeline (2:26)
HF.23 - Right Clicking on the Media in the Editor (3:47)
HF.24 - Text and Titles in the Editor Timeline (3:10)
HF.25 - A Note about Variable Frame Rate Footage (1:47)
HF.26 - Quality and Resolution Settings (3:17)
HF.27 - Locking Tracks (0:47)
HF,28 - Masking in the Editor (1:00)
HF.29 - What is a Composite Shot (0:45)
HF.30 - How to Make a Composite Shot (2:15)
HF.31 - Different Layer Types in a Composite Shot (2:44)
HF.32 - Parenting and Snapping of Layers (2:39)
HF.33 - Layer Blend Modes (6:05)
HF.34 - Masking in a Composite Shot (4:50)
HF.35 - Keyframing in Composite Shots (2:33)
HF.36 - Tracking Part 1 - Single Point Tracking (7:31)
HF.37 - Tracking Part 2 - Double Point Tracking (5:56)
HF.38 - Text in Composite Shots (3:29)
HF.39 - Masking in a Composite Shot (4:50)
HF.40 - 3D Concepts in HitFilm (10:30)
HF.41- Motion Blur (2:27)
HF.42 - Ram Preview (3:00)
HF.43 - Prerendering (4:29)
HF.44 - Locking Layers (0:39)
HF.45 - Overview of Visual Effects (2:02)
HF.46 - 360 Video (3:10)
HF.47 - Audio (2:45)
HF.48 - Behavior (1:50)
HF.49 - Blurs (2:33)
HF.50 - Color Correction (7:28)
HF.51 - Color Grading (2:51)
HF.52 - Distort (2:51)
HF.53 - Generate (6:01)
HF.54 - Gradients and Fills (0:58)
HF.55 - Grunge (1:43)
HF.56 - Keying (4:42)
HF.57 - Lights and Flares (2:30)
HF.58 - Particle and Simulation (2:36)
HF.59 - Quick 3D Effects (3:50)
HF.60 - Scene and Sharpen (1:05)
HF.61 - Stylize (1:50)
HF.62 - Temporal (1:31)
HF.63 - Video Clean Up (1:14)
HF.64 - Warp (1:39)
HF.65- Presets (3:10)
HF.66 - Templates (2:03)
HF.67 - Exporting your Project File (3:29)
HF.68 - Online Resources (1:44)
Color Grading Cinema Course - Taught by Barrett Kaufman
Color Grading Course Intro (1:02)
CG.1 - What is a Colorist? (3:00)
CG.2 - Correction vs Grading (4:22)
CG.3 - Color Grading Tools (9:57)
CG.4 - Intro To Resolve (7:54)
CG.5 - Scopes (7:35)
CG.6 - NODES (6:15)
CG.7 - Grading 101 (17:16)
CG.8 - Color Grading For Editors (7:49)
CG.9 - Orange and Teal (3:10)
CG.10 = Bleach Bypass (2:22)
CG.11 - Golden Hour (1:39)
CG.12 - Rainy Day (1:35)
CG.13 - Color Surfaces (3:26)
CG.14 - Monitor Calibration (4:07)
CG.15 - Cameras are Not Created Equal (5:13)
CG.16 - LUTS (6:00)
CG.17 - NLE to Resolve (7:23)
CG.18 - Resolve to NLE (6:16)
Acting Cinema Course - Taught by Bruce Marchiano
A.1 - Introduction (7:27)
A.2 - Foundations (8:47)
A.3 - How to Get Started (12:58)
A.4 - Business 101: Headshots (6:16)
A.5 - Go Character (2:15)
A.6 - Resume/Special Skills (3:22)
A.7 - Your Demo Reel (3:49)
A.8 - Casting Platforms (2:13)
A.9 = Christian Casting Platforms (2:19)
A.10 - Business: Summary (2:19)
A.11 - The Audition Room (5:57)
A.12 - Controlling Your Factors (4:25)
A.13 - What to Expect (6:20)
A.14 - How to Present Yourself (4:13)
A.15 - Practical Tips for the Audition Room (3:42)
A.16 - Auditioning For a Christian Film (3:23)
A.17 - My Casting Experience (6:45)
A.18 - The Audition Room: Summary (2:12)
A.19 - Cold Readings, Part 1 (6:36)
A.20 - Cold Readings, Part 2 (6:34)
A.21 - Cold Readings: Summary (2:52)
A.22 - Set Etiquette (9:31)
A.23 - Do's and Don'ts on Set (8:49)
A.24 - Setting Some Ground Rules (5:22)
A.25 - What Great Film Acting is All About (6:47)
A.26- Keys to Great Film Acting: Listening (12:43)
A.27 - Keys to Great Film Acting: Use Your Personality (11:06)
A.28 - Keys to Great Film Acting: Subtext (8:41)
A.29 - Keys to Great Film Acting: Preparation (3:39)
A.30 - Practical Tips on Preparation (7:31)
A.31- Building Rich Subtext (9:28)
A.32- Motivation (10:00)
A.33 - Finding Emotion (10:22)
A.34 - Developing Your Character (8:39)
A.35 - Practical Tips on Developing Your Character (4:58)
A.36 - Basics of Comedy (8:48)
A.37 - Walk-On Roles (11:12)
A.38 - Tricks of the Trade (14:22)
A.39 - My Personal Checklist (10:19)
A.40 - Advice from the Greats (13:32)
A.41 - Avoiding Temptation in Hollywood (7:55)
A.42 - A Fatherly Chat (8:14)
A.43 - Thank you (2:34)
Mobile Filmmaking Cinema Course - Taught By Blake Calhoun
SP.1 - Welcome (Smart Phone Cinematography) (1:05)
SP.2 - Things to Know Before We Start (1:31)
SP.3 - How We Define Cinematography (0:49)
SP.4 - The Cinematographer and Key Crew (2:16)
SP.5 - Working On Different Types of Video Projects (3:24)
SP.6 - Composition and Framing Overview (7:20)
SP.7 - Smart Phone- The Rule of Thirds (7:36)
SP.8 - Smart Phone- Static and Centered (4:26)
SP.9 - Smart Phone- Dynamic (1:54)
SP.10 - Framing. High Angle (3:09)
SP.11 - Framing. Low Angle (3:18)
SP.12 - Framing. Side Angle (2:57)
SP.13 - Framing. Dutch Angle (2:38)
SP.14 - Framing. Over The Shoulder (OTS) (1:55)
SP.15 - Framing. Lenses and Shot Size (7:58)
SP.16 - Vertical Video (4:18)
SP.17 - Stage Direction (6:24)
SP.18 - PRO TIPS - Composition and Framing (1:57)
SP.19 - Lighting 101 Overview (Interior Interview Setup) (8:13)
SP.20 - What Are Light Modifiers (Silks, Nets, Flags with C-Stands) (1:39)
SP.21 - Using Reflectors Inside with a Key Light (Bounce and Diffusers) (3:27)
SP.22 - Using Light Modifiers to Soften Light (Silks and Diffusers) (4:41)
SP.23 - Using Light Modifiers to Reduce and Cut Light (Nets and Flags) (5:30)
SP.24 - Using Reflectors Outside in Bright Sun (Bounce and Diffusers) (6:13)
SP.25 - Shooting With Natural Light (Golden Hour and Clouds) (9:17)
SP.26 - Using an On-Camera Light (4:31)
SP.27 - 3-Point Lighting Example (Studio Setup) (3:47)
SP.28 - Coiling Cables (1:53)
SP.29 - PRO TIPS - Lighting Basics (1:58)
SP.30 - Pans and Tilts (4:38)
SP.31 - Handheld (6:51)
SP.32 - Gimbals and Steadicam (7:29)
SP.33 - Dolly Shots (9:27)
SP.34 - Jibs and Cranes (3:46)
SP.35 - PRO TIPS - Camera Movement (3:04)
SP.36 - What is Exposure (6:46)
SP.37 - Resolution and Aspect Ratios (7:59)
SP.38 - Bit Rate and Codecs (3:08)
SP.39 - Frame Rates (3:51)
SP.40 - Built-In Smartphone Cameras and Lenses (4:55)
SP.41 - Shutter Speed, ISO, Aperture (Smartphones) (8:17)
SP.42 - Adjusting Focus (2:59)
SP.43 - Setting and Locking White Balance (3:49)
SP.44 - Smartphone Technical Limitation (3:31)
SP.45 - PRO TIPS - Tech Talk (2:47)
SP.46 - Setting Up the Phone Before Recording (2:33)
SP.47 - Native Camera App Overview (5:24)
SP.48 - FiLMIC Pro Camera App Overview (10:34)
SP.49 - MAVIS Camera App Overview (7:21)
SP.50 - Moment Pro Camera App Overview (6:20)
SP.51 - Lenses (Smartphone) (7:30)
SP.52 - Lens Focal-Length Comparison (4:02)
SP.53 - Tripod Mounts (Plus Tabletop Tripods) (2:39)
SP.54 - Gimbals (3:47)
SP.55 - Tripods (Full Size) (11:54)
SP.56 - Dollies (Slider and Tabletop) (9:28)
SP.57 - Camera Cages and Cases (7:34)
SP.58 - ND Filters Part 1 - Polor Pro (3:24)
SP.59 - ND Filters Part 2 - Universal Clip-On (5:00)
SP.60 - ND Filters Part 3 - Moondog Labs (3:19)
SP.61 - ND Filters Part 4 - Moment Lenses (5:45)
SP.62 - Lighting for Studio or Location (8:35)
SP.63 - Portable LED Lights (On Camera Style) (3:39)
SP.64 - External Batteries (2:57)
SP.65 - PRO TIPS - Accessories (0:47)
SP.66 - FiLMiC Pro Updated Library 2020 (4:15)
SP.67 - FiLMiC PRO Introduction
SP.68 - FiLMiC PRO - Before We Start
SP.69 - FiLMIC PRO General Overview of FiLMiCPRO (21:00)
SP.70 - FiLMIC PRO - Resolution, Frame Rates, Shutter and ISO (15:11)
SP.71 - FiLMIC PRO - Shooting in Low Light (5:44)
SP.72 - FiLMIC PRO - Shooting in Bright Conditions (5:35)
SP.73 - FiLMIC PRO - Histograms, White Balance and Live Analytics (6:11)
SP.74 - FiLMIC PRO - Auto Mode (Exposure & Focus) and Audio Settings (7:04)
SP.75 - FiLMIC PRO - Presets, FiLMiC Sync, and Content Management (6:44)
SP.76 - FiLMIC PRO - Device Tab Settings and Features (5:34)
SP.77 - FiLMIC PRO - Stabilization, Hardware and More (5:25)
SP.78 - FiLMIC PRO - Using the FiLMiC Library (3:29)
SP.79 - FiLMIC PRO - Shooting Timelapse with FiLMiC PRO (2:20)
SP.80 - FiLMIC PRO - Timelapse Example (2 and 10 Second Intervals) (5:47)
SP.81 - FiLMIC PRO - White Balance Auto-Lock (3:40)
SP.82 - FiLMIC PRO - iPhone 11 Ultra Wide Lens (4:53)
SP.83 - FiLMIC PRO - Pull-To-Point Automation (Focus Pulls and More) (5:43)
SP.84 - FiLMIC PRO - HDMI and Wireless Monitoring (3:51)
SP.85 - FiLMIC PRO - Archive Footage Wirelessly with Western Digital SSD (2:26)
SP.86 - FiLMIC PRO - Shooting LOG and More (6:18)
SP.87 - FiLMIC PRO - Color Correcting & Grading iPhone LOG Footage (14:06)
SP.88 - FiLMIC PRO - Shutter Frequency (NTSC or PAL) (2:38)
SP.89 - Cinema and Mojo Camera Rig Setups (12:23)
SP.90 - Everyday Carry Camera Rig Setups (9:29)
SP.91 - Choosing a Gimbal (11:51)
SP.92 - Third Party Lenses (6:43)
SP.93 - Best Practices Before, During, and After Shooting (8:48)
SP.94 - Top 7 Recommended Accessories (2:49)
SP.95 - "The Movie Star" Camera Prep
SP.96 - "First Dance" (iPhone Short Film)
SP.97 - Macrocosm (iPhone Short Test Film) (1:42)
SP.98 - What If We Run - Music Video (RED and iPhone Footage Mixed) (3:25)
SP.99 - "The Unicorn" (iPhone Short Film)
SP.100 - Connect With Us and Share Your Work!
Stop Motion Cinema Course - Taught by Matthew Bentler
SM.1 - Introduction (0:54)
SM.2 - Stop Motion Storyboards (0:55)
SM.3 - Where to Buy Legos (9:42)
SM.4 - How to Build a Lego Set (8:17)
SM.5 - What Lights to Buy (3:09)
SM.6 - 3 Point Lighting (1:52)
SM.7 - Lighting Techniques (5:43)
SM.8 - Practical Lighting (5:34)
SM.9 - Light Flicker (1:29)
SM.10 - Cell Phones and Webcams (2:34)
SM.11 - DSLRs (3:24)
SM.12 - Lenses (1:35)
SM.13 - Securing Your Camera (1:46)
SM.14 - Securing Your Set (5:36)
SM.15 - Frame Rates (5:18)
SM.16 - Principles of Stop Motion (15:22)
SM.17 - Camera Movements (7:22)
SM.18 - Muzzle Flashes (4:51)
SM.19 - Blood (3:13)
SM.20 - Smoke (2:43)
SM.21 - Explosions (3:14)
SM.22 - Stop Motion Studio (5:38)
SM.23 - Dragon Frame (9:53)
SM.24 - Flying (3:12)
SM.25 - Putting Your Film Together (4:29)
SM.26 - Sound Design (4:54)
SM.27 - RAW Stop Motion Walkthrough (39:25)
SM.28 - Stop Motion Community (1:01)
SM.29 - Closing Message (1:46)
Storyboarding Cinema Course - Taught by Tad Butler
S.1 - Introduction: What is a Storyboard Artist? (1:39)
S.2 - Working With a Director, Part 1 (1:53)
S.3 - Working With a Director, Part 2 (1:34)
S.4 - Working With a Director, Part 3 (9:50)
S.5 - Where to Start (3:12)
S.6 - Mapping It All Out (4:17)
S.7 - Aspect Ratios (3:15)
S.8 - Storyboarding Templates (1:25)
S.9 - Simple Characters and Shapes (4:27)
S.10 - Backgrounds (3:28)
S.11 - Conveying Emotions (4:07)
S.12 - Vehicles (2:17)
S.13 - Low and High Angles (3:52)
S.14 - Creating Depth (5:38)
S.15 - Dutch Angles (5:30)
S.16 - Conveying Focus (6:55)
S.17 - Noting Camera Movement (4:06)
S.18 - Truck In/Dolly In (3:26)
S.19 - Zoom In/Zoom Out (4:54)
S.20 - Crane Up/Tilt Up (3:43)
S.21 - Tracking (3:09)
S.22 - Transitions (3:51)
S.23 - Tools of The Trade (8:46)
S.24 - Best Free Software (5:27)
S.25 - Additional Resources (2:27)
Composing Cinema Course - Taught by Benjamin Botkin
C.1 - Composing Introduction (9:06)
C.2 - The Role of Music in Film (5:13)
C.3 - The Vocabulary of Music in Film (7:01)
C.4 - The Film Composer (8:39)
C.5 - Tips for Diversifying what you can write (1:58)
C.6 - Working With The Director (9:46)
C.7 - Working with First Time Directors (2:35)
C.8 - The Other Team Members (5:20)
C.9 - Know Your Goals (6:37)
C.10 - Your Own Goals (8:22)
C.11 - Tools You Will Need (2:38)
C.12 - When You Get The Call (10:55)
C.13 - Contracts and Agreements
C.14 - Developing the Score (Breaking Down the Film) (8:53)
C.15 - Developing Your Style (Finding the Sound) (6:33)
C.16 - Power of Placement in Film (8:39)
C.17 - The Spotting Session (10:55)
C.18 - Scheduling Your Workload (4:59)
C.19 - Inspiration, Originality, and Ideas (8:07)
C.20 - Emotional Point of View (5:24)
C.21- Fitting Music Around Dialogue and Effects (6:12)
C.22 - Ethnic Elements (2:28)
C.23 - Scoring Cue Entrances and Exits (5:24)
C.24 - Common Film Scoring Problems and Solutions (5:35)
C.25 - Final Steps to Finishing Up (5:12)
C.26 - Micky Mousing (7:49)
C.27 - Structure and Arc (8:04)
C.28 - Hardware Overview and Computer (7:51)
C.29 - Speakers and Headphones (6:32)
C.30 - Midi Keyboards and Controllers (5:09)
C.31 - DAW And Plugins (17:31)
C.32 - Virtual Instruments (10:26)
C.33 - File Management (11:49)
C.34 - Soundcards and Audio Interface (5:31)
C.35- Developing the Score (Themes and Associations) (14:07)
C.36 - Principles of Tension and Resolution (5:20)
C.37 - Hitting the Rythm of the Scene (3:45)
C.38 - Key Choices, Modes, and Modulations (11:06)
C.39 - Underscore (28:51)
C.40 - Understanding Midi (12:53)
C.41 - Getting to Know Your DAW (34:05)
C.42 - Controlling VI (29:26)
C.43 - Controlling VI Part 2 (39:48)
C.44 - Building a Template (35:02)
C.45 - Large Template (8:43)
C.46 - Template Balancing (12:02)
C.47 - How to Score an Action Scene (43:04)
C.48 - How to Score a Romantic Scene (49:18)
C.49 - How to Score a Comedic Scene (38:01)
C.50 - Thank You! (2:05)
After Effects
13.1 - Understanding After Effects (4:51)
13.2 - Taking a Tour of After Effects (7:28)
13.3 - Adobe Dynamic Link (7:33)
13.4 - Keyframing (12:50)
13.5 - How to Use Keyframes (10:57)
13.6 - Masking (8:12)
13.7 - Cloning (12:03)
Fight Scene
11.1 - Location Scouting (13:10)
11.2 - Choreographing a Fight Scene (10:28)
11.3 - How to Shoot a Fight Scene (11:14)
11.4 - How to Sell a Fight Scene (10:03)
11.5 - Recording a Grunt Pass (8:46)
11.6 - Fight Sound Effects (7:32)
11.7 - Editing Your Fight Scene (9:13)
11.8 = Fight Scene Editing: Tips and Tricks (12:20)
11.9 - Advanced Fight Scene Editing (14:07)
Special Effects
14.1 - Tracking Your Footage (13:34)
14.2 - Advanced Tracking (9:55)
14.3.1 - The Lightsaber Effect (13:53)
14.3.2 - Download After Effects Plug-ins (7:32)
14.4 - The Lightsaber Effect (The Easy Way) (10:17)
14.5 - The Lightsaber Clash Effect (11:34)
14.6 - Advanced Lightsaber Masking Techniques (15:05)
14.7 - Where to Find Stock Footage (7:01)
14.8 - Muzzle Flashes (10:21)
14.9 = Bullet Shells (20:03)
14.10 - Advanced Bullet Shells (11:35)
14.11 - Bullet Hits (9:33)
14.12 - Bullet Holes (13:14)
14.13 - Getting Hit by a Car Effect (15:09)
14.14 - Grenade VFX (15:26)
14.15 - Star Wars Blaster Tutorial (14:46)
14.16 - Blaster Deflection Tutorial (11:30)
14.17 - Sniper Scope Tutorial (17:31)
14.18 - Movie Poster Tutorial (14:58)
Green Screen
15.1 - Understanding Green Screen (7:00)
15.2 - Green Screen 101 (12:00)
15.3 - Lighting Your Green Screen (10:38)
15.4 - Blending Your Subject (11:20)
15.5 - Keying Your Subject (17:21)
Slate Board
10.1 - What is a Slate Board? (8:27)
10.2 - What to Write on a Slate Board (11:04)
10.3 - How to Use a Slate Board (12:56)
10.4 - DIY Slate Board (21:05)
10.5 - Slate Board Apps (13:03)
(COMING 2020) Wedding Course Taught by Emmaus Vanderbilt (40+ Lessons)
Full Wedding Course Coming Soon
Weddings
18.1 - Wedding Cinematography, Part 1 (12:22)
18.2 - Wedding Cinematography, Part 2 (10:53)
18.3 - Wedding Cinematography, Part 3 (12:32)
18.4 - Wedding Cinematography, Part 4 (9:30)
18.5 - Wedding Cinematography, Part 5 (16:25)
Special Videos
19.1 - Should Christians Watch Movies with Swearing? (18:09)
19.2 - Cinema Course Announcement Video (5:51)
19.3 - Bruce Marchiano Interview (24:38)
19.4 - Jon Erwin Interview (52:53)
19.5 - Dallas Jenkins Interview (27:46)
19.6 - Top 10 Christmas Movies (9:10)
19.7 - How We Make An Episode (13:23)
19.8 - Top 10 Movies (That Scared Me as a Child) (13:53)
19.9 - Alex Kendrick Interview (21:06)
19.10 = Office Tour (17:05)
19.11.a - From the Past: Hannah's Birthday Cake (2:49)
19.11.b - Hannah's Birthday Cake Reaction Video (3:20)
19.12.a - From the Past: Southern Hosipality (5:46)
19.12.b - Southern Hosipality Reaction Video (6:15)
19.13.a - From the Past: Finish Well (18:42)
19.13.b = Finish Well Reaction Video (18:29)
19.14.a - From the Past: Boys in the Hood (4:52)
19.14.b - Boys in the Hood Reaction Video (5:10)
19.15.b - M for Mature Reaction Video (22:40)
Red Camera
21.1 - RED Camera Introduction (4:16)
21.2 - The History of RED Cameras (7:26)
21.3 - RED Camera Breakdown (6:33)
21.4 - RED Camera Accessories (8:26)
21.5 - RED Camera Setup (7:13)
21.6 - RED Camera Menu (16:03)
21.7 - Red Camera Interface (6:42)
21.8 - RED Camera Buttons (6:24)
21.9 - RED Camera Compression (5:38)
21.10 = RED Camera Looks (6:20)
Podcast
Have a Question? Ask Away!
PODCAST - January 1st
PODCAST - January 16th
PODCAST - February 2nd
PODCAST - March 31st
PODCAST - April 14th
PODCAST - June 14th
PODCAST - June 21st
PODCAST - July 21st
PODCAST - August 1st
PODCAST - August 24th
PODCAST - September 29th
PODCAST - October 17th
PODCAST - November 22nd
PODCAST - February 14th
PODCAST - May 31st
PODCAST - November 7th
Adobe Encore - (Discontinued By Adobe)
16.1 - Introduction to Encore (4:38)
16.2 - How to Get Encore (4:47)
16.3 - Overview of Encore (6:49)
16.4 - Starting Your Project (4:53)
16.5 - Getting the Encore Library (4:57)
16.6 - Importing Your Project (9:12)
16.7 - How to Create a Basic Menu (8:21)
16.8 - Understanding Your Flowchart (9:03)
16.9 - Creating Custom Menus (7:09)
16.10 = Understanding Layers (5:24)
16.11 - Creating Buttons (6:35)
16.12 - Creating a Menu in Photoshop (9:32)
16.13 - Creating Chapter Markers (10:15)
16.14 - Button Highlights (7:11)
16.15 - Button Routing (8:37)
16.16 - Exporting your DVD (9:43)
Copy of 16.15 - Button Routing (8:37)
COURSES CURRENTLY BEING FILMED
SHORT FILM CINEMA COURSE - Making a Short Film From Start To Finish - Isaac Deitz
MUSIC VIDEO CINEMA COURSE - Isaac Deitz
REAL ESTATE CINEMA COURSE - Logan Allen
COMMERCIAL CINEMA COURSE
PRODUCT VIDEOS CINEMA COURSE - Heather Maione
18.5 - Wedding Cinematography, Part 5
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