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Tomorrow's Filmmakers

  Introduction
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    Welcome To Tomorrow's Filmmakers! (READ FIRST)
  •  
    How to Join the Private Facebook Community Group
  •  
    Next Step Challenges
  •  
    Meet Your Instructors
  •  
    Tomorrow's Filmmakers Affiliate Program (3:13)
  •  
    1 Hour Filmmaking Webinar 2019 - Replay (85:12)
  Downloads
  •  
    Downloads (1:42)
  Discounts!
  •  
    WATCH FIRST - How The Discounts Work (5:00)
  •  
    ALL Discounts
  •  
    50% Off 90 Day Filmmaker
  Gear Guide
  •  
    Hand Picked By Filmmakers - (READ FIRST)
  •  
    Gear Guides
  The Basics - FILMMAKING
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    1.1 - 8 Things to Look for When Buying a Camera (8:51)
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    1.2 - ISO (6:20)
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    1.3 - Shutter Speed (10:03)
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    1.4 - Aperture (13:40)
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    1.5 - The Juggling Act (How to Run Your Camera) (8:59)
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    1.6 - All About Lenses (11:03)
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    1.7 - Zoom Lenses (16:52)
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    1.8 - Prime Lenses (14:40)
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    1.9 - What Lens Should I Buy (16:06)
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    1.10 - Canon L Series Lenses (11:59)
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    1.11 - Field Recorders (9:38)
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    1.12 - Microphones 101 (6:42)
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    1.13 - 6 Steps to Improve Your Audio (10:46)
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    1.14 - Mic Placement (7:39)
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    1.15 - Audio Recorder Settings (6:33)
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    1.16 - What Microphone to Buy (10:02)
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    1.17 - Where to Find Music (18:02)
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    1.18 - 6 Tips to Improve Your Filmmaking (9:08)
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    1.19 - What Camera To Buy (10:37)
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    The Basics-FILMMAKING: Quiz
  The Basics - COMPOSITION
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    8 Steps to Cinematic Composition (13:59)
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    8 Steps to Cinematic Lighting (16:57)
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    8 Steps to Cinematic Movement (13:52)
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    2.1 - Camera Angles (4:22)
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    2.2 - Camera Movement (10:14)
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    2.3 - 180 Degree Rule (8:01)
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    2.4 - Rule of Thirds (10:02)
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    2.5 - Types of Shots (10:50)
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    2.6 - Cuts and Transitions (12:04)
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    2.7 - Cinematic Transitions (13:25)
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    2.8 - Storyboarding (13:52)
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    2.9 - 3 Point Lighting (6:29)
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    2.10 - Direction of Light (8:55)
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    2.11 - Bouncing Light (7:13)
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    2.12 - Shot Designer (Amazing Filmmaking App) (20:37)
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    The Basics - COMPOSITION: Quiz
  The Basics - Equipment
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    3.1 - All About Memory Cards (14:53)
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    3.2 - Tripods (9:33)
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    3.3 - Sliders (6:23)
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    3.4 - Stabilizers 101 (7:31)
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    3.5 - What Stabilizer Should I Get? (9:16)
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    3.6 - Balancing Curved Stabilizer (6:45)
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    3.7 - Balancing Glidecam Stabilizer (9:57)
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    3.8 - Balancing DJI Ronin-M (9:20)
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    3.9 - Balancing DJI Ronin-S (Emmaus Vanderbilt) (5:59)
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    3.10 - How to Operate Your Glidecam (6:18)
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    3.11 - Top Glidecam Movements (4:39)
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    3.12 - Top Glidecam Tips and Tricks (10:58)
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    3.13 - Tripod Hacks (9:09)
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    3.14 - Top Gimbal Tips and Tricks (11:17)
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    The Basics - Equipment: Quiz
  •  
    3.15 - How To Build The Ultimate Editing Desk (15:45)
  Business (90 Day Filmmaker - SNEAK PEAK)
  •  
    Get 90 Day Filmmaker for 70% OFF!
  •  
    What Is 90 Day Filmmaker? (9:13)
  •  
    Your Business Timeline (6:01)
  •  
    90.1 (WEEK 1) - 5 Steps to a Successful Film Business (18:23)
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    90.2 (WEEK 1) - How an 18 Year Old Grew His Film Business to $100,000+ a Year (19:44)
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    90.3 (WEEK 1) - The Essential Equipment (10:41)
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    90.4 (WEEK 1) - Naming Your Business (7:34)
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    90.5 (WEEK 1) - Creating Your Logo (7:20)
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    90.6 (WEEK 2) - Getting Your first Clients (8:18)
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    90.7 (WEEK 3) -Demo Reel 101 (5:34)
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    90.8 (WEEK 3) - Building Your Demo Reel (13:02)
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    90.9 (WEEK 6) - Your First Meeting with a Client (8:48)
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    90.10 (WEEK 6) - Interviews Part 1 (Location, Composition, and Background) (11:12)
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    90.10 (WEEK 6) - Interviews Part 2 (Lighting and Movement) (8:48)
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    90.11 (WEEK 6) - Setting Up An Interview (Virtual Job Shadow) (17:02)
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    90.12 (WEEK 8) - What to Charge (12:29)
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    90.13 (WEEK 8) - Pricing a Wedding (10:16)
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    90.14 (WEEK 8) - Pricing Real Estate (6:43)
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    90.15 (WEEK 8) - Cold Emails 101 (12:57)
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    90.16 (WEEK 8) - (Student Feedback) Cold Emails/Website) (11:21)
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    90.17 (WEEK 12) - Setting up a Business Account/LLC (5:41)
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    90.18 (WEEK 12) - Setting Up Your Bank Account (3:52)
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    90.19 (WEEK 12) - Taxes 101 (3:35)
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    90.20 (WEEK 12) - Paying Your Taxes (3:22)
  Writing
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    8.1 - Writing 101 (3:40)
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    8.2 - Coming Up with an Idea (9:13)
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    8.3 - Brainstorming (7:02)
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    8.4 - Inspiration (4:22)
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    8.5 - The Hero's Journey (12:42)
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    8.6 - Piecing Your Ideas Together (5:43)
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    8.7 - Basic Character Archetypes (8:43)
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    8.8 - Creating Heroes (10:52)
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    8.9 - Creating Villains (7:11)
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    8.10 - How to Write Lost People (12:02)
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    8.11 - Writing the Gospel (12:55)
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    8.12 - How to Avoid Cheese (16:34)
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    8.13 - Scriptwriting Software (8:06)
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    8.14 - Screenplay Formatting, Part 1 (9:39)
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    8.15 = Screenplay Formatting, Part 2 (11:29)
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    Writing - Quiz
  Cameras - LEARN MORE
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    2.5 - Why a DSLR (15:09)
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    2.6 - DSLR vs. Handycam (10:28)
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    2.8 - How to Film With a Cell Phone (12:51)
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    2.9 = Filmmaking Apps 101 (11:27)
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    2.10 - White Balance 101 (12:25)
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    2.11 - Adjusting Your White Balance (12:25)
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    2.12 - Frame Rates (10:39)
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    2.13 - Slow Motion (9:04)
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    2.14 - Picture Styles (7:37)
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    2.15.1 - Setting Up Your Picture Style (6:53)
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    2.15.2 - How To Download Technicolor Cinestyle (3:39)
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    2.16 - Canon C100 Mark II Review (19:01)
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    2.17 - Canon C200 Overview and Review (21:14)
  •  
    Cameras - Quiz
  Gear - LEARN MORE
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    9.12 - Gun Props (13:29)
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    9.13 - How to Make Your Gun Props Look Realistic (9:18)
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    9.14 - DIY Captain America Shield (19:10)
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    9.15 - DIY Lightsaber Prop (13:17)
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    4.6 - DIY Boom Pole (13:38)
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    5.4 - DIY Bounce Board (12:48)
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    5.6 - DIY Light Bar (10:17)
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    4.10 = DIY Vocal Booth (6:42)
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    5.5 - Chinese Lanterns (8:51)
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    3.6 - 50mm Shootout (20:41)
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    4.5 - Recording Foley (9:53)
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    4.7 - Compose Your Own Music (13:28)
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    4.8 - Filmstro Overview (12:12)
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    4.4 - The Importance of Music (9:28)
  Theory
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    1.1 - The Power of Cinema (10:28)
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    1.2 - The Importance of Christian Filmmaking (7:37)
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    1.3 - The Importance of Music (9:28)
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    1.4 - Discouragement (8:15)
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    1.5 - Negative Criticism (7:26)
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    1.6 - Color in Storytelling (11:17)
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    1.7 - The Problem With Christian Movies (12:25)
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    1.8 - Cowardly Filmmaking (10:52)
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    1.9 - Film Crew, Part 1 (13:50)
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    1.10 - Film Crew, Part 2 (19:27)
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    1.11 - How to Get Into Filmmaking (15:54)
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    1.13 - Signs Analyzed (35:52)
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    1.14 - Silence Analyzed (45:49)
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    1.15 - The Force Awakens vs. Rogue One (14:01)
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    1.16 - Aspect Ratios (15:27)
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    1.17 - Aspect Ratios: How to Use Them (11:12)
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    Theory - Quiz
  Audio Cinema Course - Taught by Joseph Santoyo
  •  
    5.1 - The Importance of Sound (2:19)
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    5.2 - What You Need To Record Audio (2:13)
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    5.3 - Cables (5:07)
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    5.4 - Field Recorders (Part 1) (4:49)
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    5.5 - Field Recorders (Part 2) (2:58)
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    5.6 - Field Recorder Settings (15:12)
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    5.7 - Preamps (1:23)
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    5.8 - The Basics of a Wireless System (3:26)
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    5.9 - Connecting a Wireless System (8:32)
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    5.10 - Accessories (Audio Adapters and Scissors) (3:50)
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    5.11 - Accessories (Audio Bag and Harness) (3:39)
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    5.12 - Accessories (Audio Cases and Gear Organization) (5:57)
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    5.13 - Accessories (Bongo and Rip Ties) (2:45)
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    5.14 - Accessories (Boom Pole Holder) (1:03)
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    5.15 - Accessories (Furniture and Shoe Pads) (3:54)
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    5.16 - Accessories (IFB and Chairs) (2:28)
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    5.17 - Accessories (Straps and Snakes) (4:23)
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    5.18 - Wind Protection (3:15)
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    5.19 - Timecode (4:43)
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    5.20 - Lavalier Mics (8:22)
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    5.21 - General Principles of Wiring a Subject (6:48)
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    5.22 - Wiring Etiquette (4:31)
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    5.23 - Micing a Female (Skin) (2:29)
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    5.24 - Micing a Female (Collar, Neckline) (2:56)
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    5.25 - Micing a Female (Bra) (1:11)
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    5.26 - Micing a Male (Skin, Dress Shirt) (2:56)
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    5.27 - Micing a Male (Tie) (2:20)
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    5.28 - Micing a Subject Summary (2:13)
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    5.29 - Types of Boom Poles (2:39)
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    5.30 - Booming Technique (4:40)
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    5.31 - Mic Placement While Booming (13:08)
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    5.32 - Avoiding Shadows (3:16)
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    5.33 - Set Diplomacy (2:29)
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    5.34 - Setting Up Audio For an Interview (FULL SETUP) (22:47)
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    Audio Cinema Course - Quiz
  Cinematography Course Taught by Kris Kimlin
  •  
    CC.1 - My Story (7:25)
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    CC.2 - What is Cinematography (4:19)
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    CC.3 - The Truth About Cinematography (3:13)
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    CC.4 - Who is the Cinematographer (9:40)
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    CC.5 - Chain of Command (5:03)
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    CC.6 - Choosing The Material (15:15)
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    CC.7 - Choosing The Director (11:36)
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    CC.8 - Set Etiquette (9:59)
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    CC.9 - The Hiring Process (5:26)
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    CC.10 - Know Your Worth (7:09)
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    CC.11 - Maintain Personal Life (5:24)
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    CC.12 - Perception and Truth (5:35)
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    CC.13 - Pre-Production (7:29)
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    CC.14 - Prepping The Director (9:35)
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    CC.15 - Prepping Your Crew (9:49)
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    CC.16 - Choosing Your Camera (5:38)
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    CC.17 - Selecting Your Crew (8:42)
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    CC.18 - Problem Resolution (7:56)
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    CC.19 - Training Your Eye (12:14)
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    CC.20 - Finding Work (10:14)
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    CC.21 - The Color Process (7:49)
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    CC.22 - Pitching Your Vision (15:02)
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    CC.23 - Visual References (12:53)
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    CC.24 - Aspect Ratios (13:21)
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    CC.25 - Storyboarding (13:10)
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    CC.26 - Camera Blocking (12:34)
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    CC.27 - Camera Movement 101 (11:21)
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    CC.28 - Camera Movement - Dramatic (7:53)
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    CC.29 - Camera Movement - Action (4:24)
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    CC.30 - Camera Movement - Comedy (3:23)
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    CC.31 - Cinematic Lighting (8:15)
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    CC.32 - Different Lighting Scenarios (8:16)
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    CC.33 - Studio Lighting (9:05)
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    CC.34 - Dramatic Lighting (7:14)
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    CC.35 - Mood and Color (11:38)
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    CC.36 - Cinematic Framing (12:24)
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    CC.37 - Sweating the Details (4:42)
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    CC.38 - Establishing, OTS, Close Up, and the Two Shot (9:28)
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    CC.39 - High-Low Angle Shot (9:16)
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    CC.40 - The Top Down-Over Head Shot (4:54)
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    CC.41 - The Power of Film and Why E.T. Is My Favorite Movie (5:36)
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    CC.42 - Outro (0:56)
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    Cinematography Course -Quiz
  Lighting Cinema Course Taught by Josh Ausley
  •  
    L.2 - The Importance Of Light (6:10)
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    L.3 - Types Of Light (6:22)
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    L.4 - Color Tempature (3:15)
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    L.5 - Quality Of Light (2:29)
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    L.6- How to Train Your Eye (3:46)
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    L.7 - Creating Mood (4:12)
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    L.8 - What Lights To Buy (4:56)
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    L.9 - Building A Light Package (4:01)
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    L.10 (On Set) - Tech Scout (17:10)
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    L.11 (On Set) - C Stands (10:22)
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    L.12 (On Set)- Basics Of Shaping Light (10:35)
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    L.13 (On Set) - Light Diffusion - (11:29)
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    L.14 (On Set) - DIY Light Diffusion (8:44)
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    L.15 (On Set) - Gels (11:02)
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    L.16 (On Set) - Tungsten Lighting (6:43)
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    L.17 (On Set) - Bouncing Light (5:40)
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    L.18 (On Set) - Making a Booklight (4:42)
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    L.19 (On Set) - Beauty Lighting (10:02)
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    L.20 (On Set)- Outside Interview (7:36)
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    L.21 (On Set) - Inside Interview (13:08)
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    L.22 (On Set) - Interor Day (10:43)
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    L.23 (On Set) - Interor Day Close Up (5:20)
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    L.24 (On Set) - High Key Interor (7:20)
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    L.25 (On Set) - Low Key Interor (9:27)
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    L.26 (On Set) - DIY Lighting (6:25)
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    L.27(On Set) - Green Screen (10:56)
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    L.28 (On Set) - Natural Lighting (6:32)
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    L.29 (On Set)- Night Interor (9:22)
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    L.30 (On Set)- Praticals (5:39)
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    L.31 (On Set) - RGB Lighting (5:25)
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    L.32 - (BREAKDOWN) Feature Film - Ticket To Nashville (3:58)
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    L.33 - (BREAKDOWN) - Music Video (2:35)
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    L.34 - (BREAKDOWN) Commercial - Sony PlayStation (4:40)
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    L.35 - (BREAKDOWN) Promo - Vanity Fair (4:42)
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    L.36 - Outro (0:21)
  •  
    Josh Ausley Recommended Lighting Equipment
  Editing in Premiere Pro
  •  
    7.1 - Adobe Creative Cloud (7:13)
  •  
    7.4 - Taking a Tour of Premiere Pro (9:51)
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    7.5 - Organizing Your Projects (9:10)
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    7.6 - Starting a New Project (5:08)
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    7.7 = Importing Footage (6:46)
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    7.8 - Creating a New Sequence (8:25)
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    7.9 - Basic Timeline Editing (12:46)
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    7.10 - Syncing Audio in Post (9:37)
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    7.11 - Adding B-Roll (15:26)
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    7.12 - Refining the Edit (8:11)
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    7.13 - Basic Audio Adjustments (10:50)
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    7.14 - Video and Audio Transitions (11:28)
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    7.15 - Looping Music (14:52)
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    7.16 - Creating Titles (12:30)
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    7.17 - Keyboard Shortcuts (10:02)
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    7.18 - Basic Color Correction (14:18)
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    7.19 - Fixing Clips in Post (12:30)
  •  
    7.20 - Rendering Your Project (6:19)
  •  
    7.21 - Exporting Your Project (14:50)
  •  
    Editing in Premiere Pro - Quiz
  Editing in FCPX - Taught by Tate Kirgiss
  •  
    Introduction (4:48)
  •  
    FCPX.1 - Final Cut Pro Overview (4:51)
  •  
    FCPX.2 - Final Cut Differences (1:55)
  •  
    FCPX.3 - Inspector Window (1:35)
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    FCPX.4 - Effects Panel (3:23)
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    FCPX.5 - Audio and Color Panel (2:37)
  •  
    FCPX.6 - Timeline Panel (2:35)
  •  
    FCPX.7 - Preferences (6:54)
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    FCPX.8 - Settings (1:48)
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    FCPX.9 - Importing Footage (4:35)
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    FCPX.10 - Creating a Project (1:56)
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    FCPX.11 - The Magnetic Timeline (11:15)
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    FCPX.12 - Audio Adjustments (1:36)
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    FCPX.13 - Key Commands and Speed Ramping (7:15)
  •  
    FCPX.14 - Compound Clips (2:58)
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    FCPX.15 - Effects Overview (5:14)
  •  
    FCPX.16 - Stock Effects (6:55)
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    FCPX.17- Installing Presets and Plugins (4:58)
  •  
    FCPX.18 - Transitions (2:12)
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    FCPX.19 - Generators (2:16)
  •  
    FCPX.20 - Titles (2:23)
  •  
    FCPX.21 - Keyframing (6:53)
  •  
    FCPX.22 -Multicam Editing (5:54)
  •  
    FCPX.23 - Color Correcting (8:45)
  •  
    FCPX.24 - Exporting (8:55)
  •  
    Editing in FCPX - Quiz
  Editing in Hitfilm Express - Taught by Jay Haynes (FREE Editing Software)
  •  
    HF.1 - How to Download Hitfilm Express (0:57)
  •  
    HF.2 - HitFilm Workspace (5:09)
  •  
    HF.3 - Shortcuts in HitFilm (1:42)
  •  
    HF.4 - Importing Footage and other Assets (3:04)
  •  
    HF.5 - Options When Working in the Viewer Window (2:50)
  •  
    HF.6 - Merging Audio and Video (1:47)
  •  
    HF-7 - Editor Timeline Intro (0:44)
  •  
    HF.8 - Timeline Scaling (0:59)
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    HF.9 - Inserting Footage into your Project (4:22)
  •  
    HF.10 - Changing the Track Properties (1:58)
  •  
    HF.11 - Inserting and Renaming Tracks (1:08)
  •  
    HF.12 - Labels (2:13)
  •  
    HF.13 - Scrubbing (3:26)
  •  
    HF.14 - Editor Timeline Tools (6:24)
  •  
    HF.15 - Unlinking Video and Audio (1:00)
  •  
    HF.16 - J and L Cuts (1:05)
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    HF.17 - Audio Mixer (2:43)
  •  
    HF.18 - Controls Panel (3:23)
  •  
    HF.19 - Introduction to Keyframes (3:05)
  •  
    HF.20 - How to Use the Value Graph (4:47)
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    HF.21 - Search Tools (1:12)
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    HF.22 - Adding Effects in the Editor Timeline (2:26)
  •  
    HF.23 - Right Clicking on the Media in the Editor (3:47)
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    HF.24 - Text and Titles in the Editor Timeline (3:10)
  •  
    HF.25 - A Note about Variable Frame Rate Footage (1:47)
  •  
    HF.26 - Quality and Resolution Settings (3:17)
  •  
    HF.27 - Locking Tracks (0:47)
  •  
    HF,28 - Masking in the Editor (1:00)
  •  
    HF.29 - What is a Composite Shot (0:45)
  •  
    HF.30 - How to Make a Composite Shot (2:15)
  •  
    HF.31 - Different Layer Types in a Composite Shot (2:44)
  •  
    HF.32 - Parenting and Snapping of Layers (2:39)
  •  
    HF.33 - Layer Blend Modes (6:05)
  •  
    HF.34 - Masking in a Composite Shot (4:50)
  •  
    HF.35 - Keyframing in Composite Shots (2:33)
  •  
    HF.36 - Tracking Part 1 - Single Point Tracking (7:31)
  •  
    HF.37 - Tracking Part 2 - Double Point Tracking (5:56)
  •  
    HF.38 - Text in Composite Shots (3:29)
  •  
    HF.39 - Masking in a Composite Shot (4:50)
  •  
    HF.40 - 3D Concepts in HitFilm (10:30)
  •  
    HF.41- Motion Blur (2:27)
  •  
    HF.42 - Ram Preview (3:00)
  •  
    HF.43 - Prerendering (4:29)
  •  
    HF.44 - Locking Layers (0:39)
  •  
    HF.45 - Overview of Visual Effects (2:02)
  •  
    HF.46 - 360 Video (3:10)
  •  
    HF.47 - Audio (2:45)
  •  
    HF.48 - Behavior (1:50)
  •  
    HF.49 - Blurs (2:33)
  •  
    HF.50 - Color Correction (7:28)
  •  
    HF.51 - Color Grading (2:51)
  •  
    HF.52 - Distort (2:51)
  •  
    HF.53 - Generate (6:01)
  •  
    HF.54 - Gradients and Fills (0:58)
  •  
    HF.55 - Grunge (1:43)
  •  
    HF.56 - Keying (4:42)
  •  
    HF.57 - Lights and Flares (2:30)
  •  
    HF.58 - Particle and Simulation (2:36)
  •  
    HF.59 - Quick 3D Effects (3:50)
  •  
    HF.60 - Scene and Sharpen (1:05)
  •  
    HF.61 - Stylize (1:50)
  •  
    HF.62 - Temporal (1:31)
  •  
    HF.63 - Video Clean Up (1:14)
  •  
    HF.64 - Warp (1:39)
  •  
    HF.65- Presets (3:10)
  •  
    HF.66 - Templates (2:03)
  •  
    HF.68 - Online Resources (1:44)
  •  
    HF.67 - Exporting your Project File (3:29)
  •  
    Editing in Hitfilm Express - Quiz
  Color Grading Cinema Course - Taught by Barrett Kaufman
  •  
    Color Grading Course Intro (1:02)
  •  
    CG.1 - What is a Colorist? (3:00)
  •  
    CG.2 - Correction vs Grading (4:22)
  •  
    CG.3 - Color Grading Tools (9:57)
  •  
    CG.4 - Intro To Resolve (7:54)
  •  
    CG.5 - Scopes (7:35)
  •  
    CG.6 - NODES (6:15)
  •  
    CG.7 - Grading 101 (17:16)
  •  
    CG.8 - Color Grading For Editors (7:49)
  •  
    CG.9 - Orange and Teal (3:10)
  •  
    CG.10 = Bleach Bypass (2:22)
  •  
    CG.11 - Golden Hour (1:39)
  •  
    CG.12 - Rainy Day (1:35)
  •  
    CG.13 - Color Surfaces (3:26)
  •  
    CG.14 - Monitor Calibration (4:07)
  •  
    CG.15 - Cameras are Not Created Equal (5:13)
  •  
    CG.16 - LUTS (6:00)
  •  
    CG.17 - NLE to Resolve (7:23)
  •  
    CG.18 - Resolve to NLE (6:16)
  •  
    Color Grading Cinema Course - Quiz
  Wedding Cinema Course - Taught by Emmaus Vanderbilt
  •  
    W.1 - Introduction (4:29)
  •  
    W.2 (My Story) - How An 18 Year Old Grew His Film Business To Make $100,000 a Year! (19:44)
  •  
    W.2 - Intro To Equipment (3:24)
  •  
    W.4 - Camera, Lenses, and Memory Cards (10:56)
  •  
    W.5 - Audio (5:12)
  •  
    W.6 - Stabilizers (3:05)
  •  
    W.7 - Drones (3:25)
  •  
    W.8 - Storage Solutions (4:38)
  •  
    W.9 - Lighting (3:02)
  •  
    W.10 - Life Saving Accessories (5:37)
  •  
    W.11 - Intro to Technical (1:36)
  •  
    W.12 - Wedding Starter Kit (1:59)
  •  
    W.13 - Frame Rates (4:33)
  •  
    W.14 - Focal Length (3:45)
  •  
    W.15 - Microphone Placement (6:55)
  •  
    W.16 - Microphone Placement Part 2 (7:35)
  •  
    W.17 - Intro to Shooting (1:26)
  •  
    W.18 - Overview of the Wedding Day (2:17)
  •  
    W.19 - Shooting Establishing Shots and Details (5:10)
  •  
    W.20 - Shooting Getting Ready (8:09)
  •  
    W.21 - Shooting First Looks (10:54)
  •  
    W.22 - Shooting Other Pre-Ceremony Shots (2:54)
  •  
    W.23 - Shooting Ceremonies (14:46)
  •  
    W.24 - Shooting Pictures/Posing Couples (3:35)
  •  
    W.25 - Overview of the Reception (1:50)
  •  
    W.26 - Shooting Introductions (2:12)
  •  
    W.27 - Shooting First Dances (3:22)
  •  
    W.28 - Not Shooting Dinner (2:24)
  •  
    W.29 - Shooting Toasts and Speeches (1:24)
  •  
    W.30 - Shooting Cutting the Cake (2:38)
  •  
    W.31 - Shooting Bouquet and Garder Toss (3:39)
  •  
    W.32 - Shooting The Dance Floor (3:56)
  •  
    W.33 - Shooting the Grand Exit (4:33)
  •  
    W.34 - Intro To Editing (1:00)
  •  
    W.35 - How I Edit A Wedding Video In 4 Hours (4:32)
  •  
    W.36 - Backing Up Your Footage (5:02)
  •  
    W.37 - Starting A New Project- Sorting Footage (4:36)
  •  
    W.38 - Sifting (8:15)
  •  
    W.39 - Finding Music (5:36)
  •  
    W.40 - Editing To Music (19:33)
  •  
    W.41 - Intertwining vows-speeches into your edit (14:16)
  •  
    W.42 - Using B-Roll And Other Footage (25:27)
  •  
    W.43 - Color Correction (8:52)
  •  
    W.44 - Light Leaks (7:22)
  •  
    W.45 - Final Tweaks (4:19)
  •  
    W.46 - Exporting (2:49)
  •  
    W.47 - Creating a thumbnail and uploading (7:01)
  •  
    W.48 - Intro to Business and Marketing (1:08)
  •  
    W.49 - Number 1 Secret to Growing Your Business (Spiritual) (3:39)
  •  
    W.50 - Number 1 Secret to Growing Your Business (Practical) (4:55)
  •  
    W.50 - What should I charge (5:35)
  •  
    W.51 - Leveraging Social Media (9:24)
  •  
    W.52 - 4 Tips to Increase Your Following (8:52)
  •  
    W.53 - Methods of Advertising (4:13)
  •  
    W.54 - Inquiry and Questions (4:38)
  •  
    W.55 - Booking and Waiting (4:45)
  •  
    W.56 - Two Week Follow up and Wedding Day (3:30)
  •  
    W.57 - The Delivery (5:56)
  •  
    W.58 - Standing Out from the Competition (4:27)
  •  
    W.59 - Intro to Expanding (0:43)
  •  
    W.60 - Raising Your Prices (5:36)
  •  
    W.61 - Hiring a Second Shooter (4:39)
  •  
    W.62 - Upgrading Your Equipment (5:27)
  •  
    W.63 - Money Managing Tips for Videographers (4:56)
  •  
    W.64 - How to Respectfully Shoot in the Bridal Suite (For Men) (5:20)
  •  
    W.65 - How to Respectfully Shoot in the Groom's Suite (For Women) (3:02)
  •  
    W.66 - Shooting The Dress Shot with Integrity (For Men) (2:32)
  •  
    W.67 - What Happens If I Mess Up a Shot (4:11)
  •  
    W.68 - What if the Bride is Not Happy With The Video (2:25)
  •  
    W.69 - How To Set Up Your Social Media Accounts (3:23)
  •  
    W.70 - Setting Up Paid Advertisements (Facebook) (5:48)
  •  
    W.71 - Setting Up Paid Advertisements (Instagram) (4:27)
  •  
    W.72 - Outro (1:34)
  •  
    Full Wedding - The Duke Mansion | Courtney + Will (4:21)
  •  
    Full Wedding - Emerald Lake | Brittany + Chase (6:37)
  •  
    Full Wedding - Copper Ridge | Brittany + Austin (7:00)
  •  
    Full Wedding - Alaska | Ryan + Josiah (9:05)
  •  
    Wedding Cinema Course - Quiz
  Real Estate Cinema Course - Taught by Logan Allen and Kendyl Bradley
  •  
    RE.1 - Introduction (0:48)
  •  
    RE.2 - How To Get A Client (4:36)
  •  
    RE.3 - Questions To Ask Your Client (4:49)
  •  
    RE.4 - Client's Ideas VS Your Ideas (3:33)
  •  
    RE.5 - Planning The Shoot (3:06)
  •  
    RE.6 - How To Get Recurring Clients (3:22)
  •  
    RE.7a - What To Charge (4:10)
  •  
    RE.7b - Budget Calculator (3:32)
  •  
    RE.8 - How To Stay Relevant In a Saturated Market (3:23)
  •  
    RE.9 -Getting Started (3:29)
  •  
    RE.10 - Planning For Chaos (3:25)
  •  
    RE.11 - Working With Actors/Agents (1:33)
  •  
    RE.12 - Highlighting Certain Aspects of the Estate (1:46)
  •  
    RE.13 - Common Real Estate Mistakes And How To Avoid Them (2:26)
  •  
    RE.14 - Sending The Video (3:54)
  •  
    RE.15 (Production) - Typical Shoot Day Overview (5:33)
  •  
    RE.16 (Production) - Essential Equipment (4:05)
  •  
    RE.17 (Production) - Camera Movements (4:25)
  •  
    RE.18 (Production) - Interior Camera Settings (4:07)
  •  
    RE.19 (Production) - Filming Interiors (8:52)
  •  
    RE.20 (Production) - Exterior Camera Settings (1:21)
  •  
    RE.21 (Production) - Filming Exteriors (2:13)
  •  
    RE.22 (Production) - Drone Tips (3:03)
  •  
    RE.23 (Production) - Drone Movements (1:45)
  •  
    RE.24 (Production) - FULL JOB SHADOW (40:43)
  •  
    RE.25 (Editing) - Footage Organization (2:40)
  •  
    RE.26 (Editing) - Editing Workflow (9:20)
  •  
    RE.27 (Editing) - Adding Transitions (4:23)
  •  
    RE.28 (Editing) - Music (4:28)
  •  
    RE.29 (Editing) - Color Correction (3:20)
  •  
    RE.30 (Editing) - Adding Sound Effects (2:09)
  •  
    RE.31 (Editing) - Adding Lower Thirds/Graphics (5:43)
  •  
    RE.32 (Editing) - Exporting (2:56)
  Product Video Cinema Course - Taught by Heather Maione
  •  
    PV.1 - Welcome Video (1:57)
  •  
    PV.2 - What is Product Video (9:14)
  •  
    PV.3 - Gear Recommendations (7:27)
  •  
    PV.4 - Lighting Recommendations (5:14)
  •  
    PV.5 - Intro to Technical Section (0:59)
  •  
    PV.6 - White Balance (7:14)
  •  
    PV.7 - Frame Rates (7:28)
  •  
    PV.8 - Exposure (8:22)
  •  
    PV.9 - How to Balance the Ronin S (13:29)
  •  
    PV.10 - Setting Up Your Ronin S (5:38)
  •  
    PV.11 - 5 Tips For Smooth Handheld Footage (4:12)
  •  
    PV.12 - Planning Your Shoot (5:48)
  •  
    PV.13 - Lighting Pt 1 (15:25)
  •  
    PV.14 - Lighting Pt 2 (10:12)
  •  
    PV.15 - Natural Lighting (7:25)
  •  
    PV.16 - Adding Detail+Interest to Products (4:42)
  •  
    PV.17 - Recording SFX (2:56)
  •  
    PV.18 - Creative Shots and Tools (3:43)
  •  
    PV.19- Focal Length (5:49)
  •  
    PV.20 - Creating Emotions and Depth (6:43)
  •  
    PV.21 - Adding or Removing Details (7:21)
  •  
    PV.22 - Getting Creative (5:29)
  •  
    PV.23 - Rules Of Composition (8:45)
  •  
    PV.24 - Tripod Movements (3:00)
  •  
    PV.25 - Slider Movements (1:53)
  •  
    PV.26 - Handheld Movements (1:18)
  •  
    PV.27 - Gimbal Movements (1:59)
  •  
    PV.28 - Data Management (4:38)
  •  
    PV.29 - Import + New Project (3:30)
  •  
    PV.30 - Keyboard Shortcuts (7:53)
  •  
    PV.31 - First Cull (1:43)
  •  
    PV.32 - Second Cull (2:02)
  •  
    PV.33 - Music + SFX (6:23)
  •  
    PV.34 - Speed + Stabilization (5:13)
  •  
    PV.35 - Color Correction (6:08)
  •  
    PV.36 - Color Grading (5:16)
  •  
    PV.37 - Final Tweaks (9:23)
  •  
    PV.38 - Export Settings (3:19)
  •  
    PV.39 - Job Shadow (Celsius) (10:14)
  •  
    PV.40 - Job Shadow (Think Tank) (9:30)
  •  
    PV.41 - (BONUS) Improving Filmmaking Fast (4:00)
  •  
    PV.42 - (BONUS) Common Product Video Mistakes (6:14)
  Travel Video Cinema Course - Taught By Jesse Foy
  •  
    TV.1 - My Name is Jesse (2:48)
  •  
    TV.2 - How to Land Travel Clients (6:07)
  •  
    TV.3 - Planning (PART 1) (6:26)
  •  
    TV.4 - Planning (Part 2) (3:59)
  •  
    TV.5 - Scheduling (2:10)
  •  
    TV.7 - Details (2:51)
  •  
    TV.8 - Camera Movement (2:04)
  •  
    TV.9 - Storytelling (2:30)
  •  
    TV.10 - Shoot for the Edit (2:26)
  •  
    TV.11 - Directing Talent (1:40)
  •  
    TV.12 - Color Profile (1:27)
  •  
    TV.13 - Communicating with Your Client (2:38)
  •  
    TV.14 - Essential Equipment (4:11)
  •  
    TV.15 - Camera Settings (4:38)
  •  
    TV.16 - What's in my Bag (3:59)
  •  
    TV.17 (EDITING) - Organization (5:07)
  •  
    TV.18 (EDITING) - Picking Music (5:34)
  •  
    TV.19 (EDITING) - Basic Editing Part 1 (14:32)
  •  
    TV.20 (EDITING) - Basic Editing Part 2 (11:59)
  •  
    TV.21 (EDITING) - Sound effects (8:00)
  •  
    TV.22 (EDITING) - Color Correction (5:40)
  •  
    TV.23 (EDITING) - Title And Wrap-up (12:08)
  •  
    TV.24 (JOB SHADOW) - Destin Florida Highlight Reel (24:00)
  •  
    TV.25 (Travel Video) - Destin Florida Highlight Reel (1:00)
  •  
    TV.26 (Travel Video) - "Why I Travel" (4:24)
  •  
    TV.27 (Travel Video) - ACTS Africa 2020 (2:19)
  •  
    TV.28 (Travel Video) - St. George's Caye Resort (1:23)
  •  
    TV.29 (Travel Video) - Into The Unknown (0:23)
  Music Video Cinema Course - Taught By Isaac Deitz
  •  
    MV.1 - Intro (1:07)
  •  
    MV.2 - My Story (2:28)
  •  
    MV.3 - Getting Started (3:01)
  •  
    MV.4 - Practicing/Covers (4:50)
  •  
    MV.5 - Finding a Band (7:02)
  •  
    MV.6 - 8 Cups of Picking a Job (4:02)
  •  
    MV.7 - Questions to Ask Your Client (4:58)
  •  
    MV.8 - Clients Ideas Verses Your Ideas (6:03)
  •  
    MV.9 - Coming Up With An Idea (3:13)
  •  
    MV.10 - Treatments (9:55)
  •  
    MV.11 - Pricing and Budgeting (4:20)
  •  
    MV.12 - Creative Spending (4:54)
  •  
    MV.13 - Producing (3:22)
  •  
    MV.14 - Shotlisting (9:19)
  •  
    MV.15 - Story Verses Poetic Visuals (3:23)
  •  
    MV.16 - Soveit Montage Theory (7:16)
  •  
    MV.17 - Study The Music Videos You Like (2:41)
  •  
    MV.18 - 5 Aspects of a Good Video (6:13)
  •  
    MV.19 - 3 Goals When Making a Music Video (3:19)
  •  
    MV.20 - Knowing The Bands Audience (3:45)
  •  
    MV.21 - Plan For Chaos (4:05)
  •  
    MV.22 - Slow Motion (2:57)
  •  
    MV.23 - Working With Bands and Labels (6:34)
  •  
    MV.24 - Working With Non-Labels (2:59)
  •  
    MV.25 - Issacs Checklist (6:36)
  •  
    MV.26 - Releasing The Video (3:32)
  •  
    MV.27 - Live Videos/Concerts (7:00)
  •  
    MV.28 - Storytelling (2:27)
  •  
    MV.29 - Renting Verses Buying Equipment (3:12)
  •  
    MV.30 - What You Need To Get Started (4:11)
  •  
    MV.31 - What To Charge (3:29)
  •  
    MV.32 - Outro (1:07)
  •  
    MV.33 - JOB SHADOW - Cray Button (Full Behind The Scenes) (80:05)
  •  
    MV.34 - JOB SHADOW - FAKIN (Full Behind The Scenes) (83:59)
  •  
    MV.35 - JOB SHADOW - Out Of This World (Full Behind The Scenes) (48:21)
  •  
    Family Force 5 - Zombie (2012) (4:30)
  •  
    Family Force 5 - Cray Button Feat. Lecrae (2012) (4:31)
  •  
    Abandon Kansas - Marching Around Me (2013) (3:47)
  •  
    Lecrae - FAKIN Feat. Thi'sl (2013) (4:10)
  •  
    Lecrae - Welcome to America (2015) (4:25)
  •  
    Andy Mineo - Herman Miller (2021) (1:57)
  Directing Cinema Course - Taught By Dallas Jenkins
  •  
    DC.1 - Intro (1:19)
  •  
    DC.2 - My Story (18:40)
  •  
    DC.3 - What is a Director (3:26)
  •  
    DC.4 - A Director is a Psychologist (4:16)
  •  
    DC.5 - Getting Started (3:10)
  •  
    DC.6 - How to Stay Calm Under Pressure (11:18)
  •  
    DC.7 - How to be a Leader on Set (9:03)
  •  
    DC.8 - Communicating Your Vision (8:09)
  •  
    DC.9 - Working with a DP (6:36)
  •  
    DC.10 - Working With Your Crew (5:22)
  •  
    DC.11 - Using Storyboards vs Not (3:38)
  •  
    DC.12 - Working with Non Actors (3:24)
  •  
    DC.13 - Background Actors (4:54)
  •  
    DC.14 - Working with Children (2:10)
  •  
    DC.15 - Working with Your Main Actors (5:29)
  •  
    DC.16 - Directing Difficult Actors (9:56)
  •  
    DC.17 - What Not to say to An Actor (6:59)
  •  
    DC.18 - How to Deal with Problems on Set (3:56)
  •  
    DC.19 - How to Plan for Chaos (6:37)
  •  
    DC.20 - Directing Your Project vs Someone Else's Project (1:30)
  •  
    DC.21 - Directing Feature Films, Short films, TV Series (1:17)
  •  
    DC.22 - How to Market Yourself as a Director (2:42)
  •  
    DC.23 - How to Choose Your Crew (3:37)
  •  
    DC.24 - Keeping Morale Up on Set (3:36)
  •  
    DC.25 - Dealing with Depression After a Failed Project (3:26)
  •  
    DC.26 - Common Mistakes Directors Make (2:04)
  •  
    DC.27 - Advice for Beginning Directors (4:47)
  •  
    DC.28 - Outro (2:01)
  •  
    DC.29 (FULL BEHIND THE SCENES) Day 1 - Beth Midrash (24:13)
  •  
    DC.30 (FULL BEHIND THE SCENES) Day 1 - Sychar Synagogue (30:27)
  •  
    DC.31 (FULL BEHIND THE SCENES) Day 2 - Marketplace (26:13)
  •  
    DC.32 (FULL BEHIND THE SCENES) Day 2 - Jesus Teaches (21:15)
  •  
    DC.33 (FULL BEHIND THE SCENES) Day 3 - Sychar Street (33:23)
  •  
    DC.34 (FULL BEHIND THE SCENES) Day 3 - Nadim's House (17:38)
  •  
    DC.35 (FULL BEHIND THE SCENES) Day 4 - Inn (39:27)
  •  
    DC.36 (FULL BEHIND THE SCENES) Day 4 - Jesus Meets Nathanael (28:26)
  •  
    DC-37 (FULL BEHIND THE SCENES) Day 5 - Nathanael's House (39:45)
  Timelapse and Hyperlapse Cinema Course by Scott Herder
  •  
    GEAR - 1.1 What Camera To Buy for Hyperflow (8:04)
  •  
    GEAR - 1.2 Lenses (7:29)
  •  
    GEAR - 1.3 Tripod, Gimbal, Slider - Stabilizers (3:09)
  •  
    GEAR - 1.4 Accessories (2:37)
  •  
    TECHNICAL - 2.x Generic Intervalometer (1:44)
  •  
    TECHNICAL - 2.x HFD (2:45)
  •  
    TECHNICAL - 2.x Sony Intervalometer Demo (1:56)
  •  
    PLANNING - Working With Your Client (4:39)
  •  
    PLANNING - Planning Your Shot (13:02)
  •  
    SHOOTING - 3.1 13 Tips for Better Time-Lapses (8:51)
  •  
    SHOOTING - 3.2 Shoot Timelapse Start to Finish (3:44)
  •  
    SHOOTING - 3.3 After Effects Only Workflow (2:17)
  •  
    SHOOTING - 3.4 Editing with LRTimelapse (5:32)
  •  
    SHOOTING - 3.5 Exporting Using LRTimelapse (1:38)
  •  
    SHOOTING - 3.6 Shooting a Holy Grail (3:20)
  •  
    SHOOTING - 3.7 Editing a Holy Grail Part 2 (9:31)
  •  
    SHOOTING - 3.8 How to Blend Timelapse + Video (4:02)
  •  
    SHOOTING - 3.9 Real World Test Finding Fastest Workflow and Why (5:01)
  •  
    SHOOTING - 4.1 Intro to Hyperlapse (0:43)
  •  
    SHOOTING - 4.2 Hand held Hyperlapse (6:12)
  •  
    SHOOTING - 4.3 Shooting a HL on a Gimbal (6:06)
  •  
    SHOOTING - 4.4 Tracking Moving Objects (3:03)
  •  
    VFX - 5.1 After Effects Intro (5:36)
  •  
    VFX - 5.2 Point and Warp (5:42)
  •  
    VFX - 5.3 Point and Rotation (2:20)
  •  
    VFX - 5.4 Tracking Data Gets Blocked (1:34)
  •  
    VFX - 2 Methods for Getting Rid of Dust (4:55)
  •  
    VFX - 3d Camera Explained (6:37)
  •  
    VFX - 3d Camera Tilt Down Explained (5:57)
  •  
    TRANSITIONS - Baker Smooth Zoom Transition (6:38)
  •  
    TRANSITIONS - How to Stabilize a Shaky Timelapse (0:59)
  •  
    TRANSITIONS - Hyperzoom Transition (11:13)
  •  
    TRANSITIONS - Match Cuts (3:46)
  •  
    TRANSITIONS - Motion Bro Transitions (5:34)
  •  
    TRANSITIONS - Screen Replacement Mocha AE (5:11)
  •  
    TRANSITIONS - Whip Transitions (3:17)
  •  
    TRANSITIONS - Wipe Transitions (4:32)
  •  
    Scotland Live Edit 1 (9:38)
  •  
    Scotland Live Edit 2 (11:04)
  •  
    Scotland Live Edit 3 (4:40)
  •  
    Scotland Live Edit 4 (10:21)
  •  
    Scotland Live Edit 5 (4:09)
  •  
    Moon book Edit (Shooting) (3:05)
  •  
    Moon book Edit (Editing) (4:31)
  •  
    Moon book Edit (VFX) (19:38)
  Short Film Cinema Course - Taught By Isaac Deitz
  •  
    SF.1 - Introduction (1:15)
  •  
    SF.2 - My Story (3:09)
  •  
    SF.3 - Make a Short Film Now (2:56)
  •  
    SF.4 - So You Have an Idea (2:02)
  •  
    SF.5 - Writing (4:15)
  •  
    SF.6 - Finding a Producer (3:42)
  •  
    SF.7 - Setting a Budget (2:55)
  •  
    SF.8 - Raising Funds (4:17)
  •  
    SF.9 - Creative Spending (8:21)
  •  
    SF.10 - Hiring a Crew (7:34)
  •  
    SF.11- How to Cast Actors (5:09)
  •  
    SF.12 - Auditions (2:52)
  •  
    SF.13 - Location Scouting (5:43)
  •  
    SF.14 - Shotlisting (6:05)
  •  
    SF.15 - Crafty (5:04)
  •  
    SF.16 - Catering (3:31)
  •  
    SF.17 - Planning The Day (7:10)
  •  
    SF.18 - Call sheets (7:32)
  •  
    SF.19 - Personal Prep (3:57)
  •  
    SF.20 - Being a DP Verses Workin with a DP (4:51)
  •  
    SF.21 - Directing (6:12)
  •  
    SF.22 - Preparing for Problems (3:10)
  •  
    SF.23 - How to Keep People Happy (1:15)
  •  
    SF.24 - Wearing Multiple Hats (2:18)
  •  
    SF.25 - Paying Your Crew (4:28)
  •  
    SF.26 - Editing (3:54)
  •  
    SF.27 - Credits (2:33)
  •  
    SF.28 - Releasing The Video (3:09)
  •  
    SF.29 - (SHORT FILM) - The Staying Kind (20:40)
  •  
    SF.30 - (FULL Behind The Scenes) - The Staying Kind (161:38)
  Acting Cinema Course - Taught by Bruce Marchiano
  •  
    A.1 - Introduction (7:27)
  •  
    A.2 - Foundations (8:47)
  •  
    A.3 - How to Get Started (12:58)
  •  
    A.4 - Business 101: Headshots (6:16)
  •  
    A.5 - Go Character (2:15)
  •  
    A.6 - Resume/Special Skills (3:22)
  •  
    A.7 - Your Demo Reel (3:49)
  •  
    A.8 - Casting Platforms (2:13)
  •  
    A.9 = Christian Casting Platforms (2:19)
  •  
    A.10 - Business: Summary (2:19)
  •  
    A.11 - The Audition Room (5:57)
  •  
    A.12 - Controlling Your Factors (4:25)
  •  
    A.13 - What to Expect (6:20)
  •  
    A.14 - How to Present Yourself (4:13)
  •  
    A.15 - Practical Tips for the Audition Room (3:42)
  •  
    A.16 - Auditioning For a Christian Film (3:23)
  •  
    A.17 - My Casting Experience (6:45)
  •  
    A.18 - The Audition Room: Summary (2:12)
  •  
    A.19 - Cold Readings, Part 1 (6:36)
  •  
    A.20 - Cold Readings, Part 2 (6:34)
  •  
    A.21 - Cold Readings: Summary (2:52)
  •  
    A.22 - Set Etiquette (9:31)
  •  
    A.23 - Do's and Don'ts on Set (8:49)
  •  
    A.24 - Setting Some Ground Rules (5:22)
  •  
    A.25 - What Great Film Acting is All About (6:47)
  •  
    A.26- Keys to Great Film Acting: Listening (12:43)
  •  
    A.27 - Keys to Great Film Acting: Use Your Personality (11:06)
  •  
    A.28 - Keys to Great Film Acting: Subtext (8:41)
  •  
    A.29 - Keys to Great Film Acting: Preparation (3:39)
  •  
    A.30 - Practical Tips on Preparation (7:31)
  •  
    A.31- Building Rich Subtext (9:28)
  •  
    A.32- Motivation (10:00)
  •  
    A.33 - Finding Emotion (10:22)
  •  
    A.34 - Developing Your Character (8:39)
  •  
    A.35 - Practical Tips on Developing Your Character (4:58)
  •  
    A.36 - Basics of Comedy (8:48)
  •  
    A.37 - Walk-On Roles (11:12)
  •  
    A.38 - Tricks of the Trade (14:22)
  •  
    A.39 - My Personal Checklist (10:19)
  •  
    A.40 - Advice from the Greats (13:32)
  •  
    A.41 - Avoiding Temptation in Hollywood (7:55)
  •  
    A.42 - A Fatherly Chat (8:14)
  •  
    A.43 - Thank you (2:34)
  •  
    Acting Cinema Course - Quiz
  Mobile Filmmaking Cinema Course - Taught By Blake Calhoun
  •  
    SP.1 - Welcome (Smart Phone Cinematography) (1:05)
  •  
    SP.2 - Things to Know Before We Start (1:31)
  •  
    SP.3 - How We Define Cinematography (0:49)
  •  
    SP.4 - The Cinematographer and Key Crew (2:16)
  •  
    SP.5 - Working On Different Types of Video Projects (3:24)
  •  
    SP.6 - Composition and Framing Overview (7:20)
  •  
    SP.7 - Smart Phone- The Rule of Thirds (7:36)
  •  
    SP.8 - Smart Phone- Static and Centered (4:26)
  •  
    SP.9 - Smart Phone- Dynamic (1:54)
  •  
    SP.10 - Framing. High Angle (3:09)
  •  
    SP.11 - Framing. Low Angle (3:18)
  •  
    SP.12 - Framing. Side Angle (2:57)
  •  
    SP.13 - Framing. Dutch Angle (2:38)
  •  
    SP.14 - Framing. Over The Shoulder (OTS) (1:55)
  •  
    SP.15 - Framing. Lenses and Shot Size (7:58)
  •  
    SP.16 - Vertical Video (4:18)
  •  
    SP.17 - Stage Direction (6:24)
  •  
    SP.18 - PRO TIPS - Composition and Framing (1:57)
  •  
    SP.19 - Lighting 101 Overview (Interior Interview Setup) (8:13)
  •  
    SP.20 - What Are Light Modifiers (Silks, Nets, Flags with C-Stands) (1:39)
  •  
    SP.21 - Using Reflectors Inside with a Key Light (Bounce and Diffusers) (3:27)
  •  
    SP.22 - Using Light Modifiers to Soften Light (Silks and Diffusers) (4:41)
  •  
    SP.23 - Using Light Modifiers to Reduce and Cut Light (Nets and Flags) (5:30)
  •  
    SP.24 - Using Reflectors Outside in Bright Sun (Bounce and Diffusers) (6:13)
  •  
    SP.25 - Shooting With Natural Light (Golden Hour and Clouds) (9:17)
  •  
    SP.26 - Using an On-Camera Light (4:31)
  •  
    SP.27 - 3-Point Lighting Example (Studio Setup) (3:47)
  •  
    SP.28 - Coiling Cables (1:53)
  •  
    SP.29 - PRO TIPS - Lighting Basics (1:58)
  •  
    SP.30 - Pans and Tilts (4:38)
  •  
    SP.31 - Handheld (6:51)
  •  
    SP.32 - Gimbals and Steadicam (7:29)
  •  
    SP.33 - Dolly Shots (9:27)
  •  
    SP.34 - Jibs and Cranes (3:46)
  •  
    SP.35 - PRO TIPS - Camera Movement (3:04)
  •  
    SP.36 - What is Exposure (6:46)
  •  
    SP.37 - Resolution and Aspect Ratios (7:59)
  •  
    SP.38 - Bit Rate and Codecs (3:08)
  •  
    SP.39 - Frame Rates (3:51)
  •  
    SP.40 - Built-In Smartphone Cameras and Lenses (4:55)
  •  
    SP.41 - Shutter Speed, ISO, Aperture (Smartphones) (8:17)
  •  
    SP.42 - Adjusting Focus (2:59)
  •  
    SP.43 - Setting and Locking White Balance (3:49)
  •  
    SP.44 - Smartphone Technical Limitation (3:31)
  •  
    SP.45 - PRO TIPS - Tech Talk (2:47)
  •  
    SP.46 - Setting Up the Phone Before Recording (2:33)
  •  
    SP.47 - Native Camera App Overview (5:24)
  •  
    SP.48 - FiLMIC Pro Camera App Overview (10:34)
  •  
    SP.49 - MAVIS Camera App Overview (7:21)
  •  
    SP.50 - Moment Pro Camera App Overview (6:20)
  •  
    SP.51 - Lenses (Smartphone) (7:30)
  •  
    SP.52 - Lens Focal-Length Comparison (4:02)
  •  
    SP.53 - Tripod Mounts (Plus Tabletop Tripods) (2:39)
  •  
    SP.54 - Gimbals (3:47)
  •  
    SP.55 - Tripods (Full Size) (11:54)
  •  
    SP.56 - Dollies (Slider and Tabletop) (9:28)
  •  
    SP.57 - Camera Cages and Cases (7:34)
  •  
    SP.58 - ND Filters Part 1 - Polor Pro (3:24)
  •  
    SP.59 - ND Filters Part 2 - Universal Clip-On (5:00)
  •  
    SP.60 - ND Filters Part 3 - Moondog Labs (3:19)
  •  
    SP.61 - ND Filters Part 4 - Moment Lenses (5:45)
  •  
    SP.62 - Lighting for Studio or Location (8:35)
  •  
    SP.63 - Portable LED Lights (On Camera Style) (3:39)
  •  
    SP.64 - External Batteries (2:57)
  •  
    SP.65 - PRO TIPS - Accessories (0:47)
  •  
    SP.66 - FiLMiC Pro Updated Library 2020 (4:15)
  •  
    SP.67 - FiLMiC PRO Introduction
  •  
    SP.68 - FiLMiC PRO - Before We Start
  •  
    SP.69 - FiLMIC PRO General Overview of FiLMiCPRO (21:00)
  •  
    SP.70 - FiLMIC PRO - Resolution, Frame Rates, Shutter and ISO (15:11)
  •  
    SP.71 - FiLMIC PRO - Shooting in Low Light (5:44)
  •  
    SP.72 - FiLMIC PRO - Shooting in Bright Conditions (5:35)
  •  
    SP.73 - FiLMIC PRO - Histograms, White Balance and Live Analytics (6:11)
  •  
    SP.74 - FiLMIC PRO - Auto Mode (Exposure & Focus) and Audio Settings (7:04)
  •  
    SP.75 - FiLMIC PRO - Presets, FiLMiC Sync, and Content Management (6:44)
  •  
    SP.76 - FiLMIC PRO - Device Tab Settings and Features (5:34)
  •  
    SP.77 - FiLMIC PRO - Stabilization, Hardware and More (5:25)
  •  
    SP.78 - FiLMIC PRO - Using the FiLMiC Library (3:29)
  •  
    SP.79 - FiLMIC PRO - Shooting Timelapse with FiLMiC PRO (2:20)
  •  
    SP.80 - FiLMIC PRO - Timelapse Example (2 and 10 Second Intervals) (5:47)
  •  
    SP.81 - FiLMIC PRO - White Balance Auto-Lock (3:40)
  •  
    SP.82 - FiLMIC PRO - iPhone 11 Ultra Wide Lens (4:53)
  •  
    SP.83 - FiLMIC PRO - Pull-To-Point Automation (Focus Pulls and More) (5:43)
  •  
    SP.84 - FiLMIC PRO - HDMI and Wireless Monitoring (3:51)
  •  
    SP.85 - FiLMIC PRO - Archive Footage Wirelessly with Western Digital SSD (2:26)
  •  
    SP.86 - FiLMIC PRO - Shooting LOG and More (6:18)
  •  
    SP.87 - FiLMIC PRO - Color Correcting & Grading iPhone LOG Footage (14:06)
  •  
    SP.88 - FiLMIC PRO - Shutter Frequency (NTSC or PAL) (2:38)
  •  
    SP.89 - Cinema and Mojo Camera Rig Setups (12:23)
  •  
    SP.90 - Everyday Carry Camera Rig Setups (9:29)
  •  
    SP.91 - Choosing a Gimbal (11:51)
  •  
    SP.92 - Third Party Lenses (6:43)
  •  
    SP.93 - Best Practices Before, During, and After Shooting (8:48)
  •  
    SP.94 - Top 7 Recommended Accessories (2:49)
  •  
    SP.95 - "The Movie Star" Camera Prep
  •  
    SP.96 - "First Dance" (iPhone Short Film)
  •  
    SP.97 - Macrocosm (iPhone Short Test Film) (1:42)
  •  
    SP.98 - What If We Run - Music Video (RED and iPhone Footage Mixed) (3:25)
  •  
    SP.99 - "The Unicorn" (iPhone Short Film)
  •  
    SP.100 - Connect With Us and Share Your Work!
  •  
    Mobile Filmmaking Cinema Course - Quiz
  Stop Motion Cinema Course - Taught by Matthew Bentler
  •  
    SM.1 - Introduction (0:54)
  •  
    SM.2 - Stop Motion Storyboards (0:55)
  •  
    SM.3 - Where to Buy Legos (9:42)
  •  
    SM.4 - How to Build a Lego Set (8:17)
  •  
    SM.5 - What Lights to Buy (3:09)
  •  
    SM.6 - 3 Point Lighting (1:52)
  •  
    SM.7 - Lighting Techniques (5:43)
  •  
    SM.8 - Practical Lighting (5:34)
  •  
    SM.9 - Light Flicker (1:29)
  •  
    SM.10 - Cell Phones and Webcams (2:34)
  •  
    SM.11 - DSLRs (3:24)
  •  
    SM.12 - Lenses (1:35)
  •  
    SM.13 - Securing Your Camera (1:46)
  •  
    SM.14 - Securing Your Set (5:36)
  •  
    SM.15 - Frame Rates (5:18)
  •  
    SM.16 - Principles of Stop Motion (15:22)
  •  
    SM.17 - Camera Movements (7:22)
  •  
    SM.18 - Muzzle Flashes (4:51)
  •  
    SM.19 - Blood (3:13)
  •  
    SM.20 - Smoke (2:43)
  •  
    SM.21 - Explosions (3:14)
  •  
    SM.22 - Stop Motion Studio (5:38)
  •  
    SM.23 - Dragon Frame (9:53)
  •  
    SM.24 - Flying (3:12)
  •  
    SM.25 - Putting Your Film Together (4:29)
  •  
    SM.26 - Sound Design (4:54)
  •  
    SM.27 - RAW Stop Motion Walkthrough (39:25)
  •  
    SM.28 - Stop Motion Community (1:01)
  •  
    SM.29 - Closing Message (1:46)
  •  
    Stop Motion Cinema Course - Quiz
  Storyboarding Cinema Course - Taught by Tad Butler
  •  
    S.1 - Introduction: What is a Storyboard Artist? (1:39)
  •  
    S.2 - Working With a Director, Part 1 (1:53)
  •  
    S.3 - Working With a Director, Part 2 (1:34)
  •  
    S.4 - Working With a Director, Part 3 (9:50)
  •  
    S.5 - Where to Start (3:12)
  •  
    S.6 - Mapping It All Out (4:17)
  •  
    S.7 - Aspect Ratios (3:15)
  •  
    S.8 - Storyboarding Templates (1:25)
  •  
    S.9 - Simple Characters and Shapes (4:27)
  •  
    S.10 - Backgrounds (3:28)
  •  
    S.11 - Conveying Emotions (4:07)
  •  
    S.12 - Vehicles (2:17)
  •  
    S.13 - Low and High Angles (3:52)
  •  
    S.14 - Creating Depth (5:38)
  •  
    S.15 - Dutch Angles (5:30)
  •  
    S.16 - Conveying Focus (6:55)
  •  
    S.17 - Noting Camera Movement (4:06)
  •  
    S.18 - Truck In/Dolly In (3:26)
  •  
    S.19 - Zoom In/Zoom Out (4:54)
  •  
    S.20 - Crane Up/Tilt Up (3:43)
  •  
    S.21 - Tracking (3:09)
  •  
    S.22 - Transitions (3:51)
  •  
    S.23 - Tools of The Trade (8:46)
  •  
    S.24 - Best Free Software (5:27)
  •  
    S.25 - Additional Resources (2:27)
  •  
    Storyboarding Cinema Course - Quiz
  Composing Cinema Course - Taught by Benjamin Botkin
  •  
    C.1 - Composing Introduction (9:06)
  •  
    C.2 - The Role of Music in Film (5:13)
  •  
    C.3 - The Vocabulary of Music in Film (7:01)
  •  
    C.4 - The Film Composer (8:39)
  •  
    C.5 - Tips for Diversifying what you can write (1:58)
  •  
    C.6 - Working With The Director (9:46)
  •  
    C.7 - Working with First Time Directors (2:35)
  •  
    C.8 - The Other Team Members (5:20)
  •  
    C.9 - Know Your Goals (6:37)
  •  
    C.10 - Your Own Goals (8:22)
  •  
    C.11 - Tools You Will Need (2:38)
  •  
    C.12 - When You Get The Call (10:55)
  •  
    C.13 - Contracts and Agreements
  •  
    C.14 - Developing the Score (Breaking Down the Film) (8:53)
  •  
    C.15 - Developing Your Style (Finding the Sound) (6:33)
  •  
    C.16 - Power of Placement in Film (8:39)
  •  
    C.17 - The Spotting Session (10:55)
  •  
    C.18 - Scheduling Your Workload (4:59)
  •  
    C.19 - Inspiration, Originality, and Ideas (8:07)
  •  
    C.20 - Emotional Point of View (5:24)
  •  
    C.21- Fitting Music Around Dialogue and Effects (6:12)
  •  
    C.22 - Ethnic Elements (2:28)
  •  
    C.23 - Scoring Cue Entrances and Exits (5:24)
  •  
    C.24 - Common Film Scoring Problems and Solutions (5:35)
  •  
    C.25 - Final Steps to Finishing Up (5:12)
  •  
    C.26 - Micky Mousing (7:49)
  •  
    C.27 - Structure and Arc (8:04)
  •  
    C.28 - Hardware Overview and Computer (7:51)
  •  
    C.29 - Speakers and Headphones (6:32)
  •  
    C.30 - Midi Keyboards and Controllers (5:09)
  •  
    C.31 - DAW And Plugins (17:31)
  •  
    C.32 - Virtual Instruments (10:26)
  •  
    C.33 - File Management (11:49)
  •  
    C.34 - Soundcards and Audio Interface (5:31)
  •  
    C.35- Developing the Score (Themes and Associations) (14:07)
  •  
    C.36 - Principles of Tension and Resolution (5:20)
  •  
    C.37 - Hitting the Rythm of the Scene (3:45)
  •  
    C.38 - Key Choices, Modes, and Modulations (11:06)
  •  
    C.39 - Underscore (28:51)
  •  
    C.40 - Understanding Midi (12:53)
  •  
    C.41 - Getting to Know Your DAW (34:05)
  •  
    C.42 - Controlling VI (29:26)
  •  
    C.43 - Controlling VI Part 2 (39:48)
  •  
    C.44 - Building a Template (35:02)
  •  
    C.45 - Large Template (8:43)
  •  
    C.46 - Template Balancing (12:02)
  •  
    C.47 - How to Score an Action Scene (43:04)
  •  
    C.48 - How to Score a Romantic Scene (49:18)
  •  
    C.49 - How to Score a Comedic Scene (38:01)
  •  
    C.50 - Thank You! (2:05)
  •  
    Composing Cinema Course - Quiz
  After Effects
  •  
    13.1 - Understanding After Effects (4:51)
  •  
    13.2 - Taking a Tour of After Effects (7:28)
  •  
    13.3 - Adobe Dynamic Link (7:33)
  •  
    13.4 - Keyframing (12:50)
  •  
    13.5 - How to Use Keyframes (10:57)
  •  
    13.6 - Masking (8:12)
  •  
    13.7 - Cloning (12:03)
  •  
    After Effects - Quiz
  Stunt Course Taught By Joe Kras
  •  
    ST.1 - Essential Pads (4:00)
  •  
    ST.2 - Mats (1:42)
  •  
    ST.3 - Wardrobe and Pads (2:55)
  •  
    ST.4 - Footwork (5:30)
  •  
    ST.5 - Basic Strikes (6:07)
  •  
    ST.6 - Taking Falls (6:23)
  •  
    ST.7 - Chokes and Hair Pulls (4:08)
  •  
    ST.8 - Handguns (4:10)
  •  
    ST.9 - Recoil (2:24)
  •  
    ST.10 - Selling a Gunshot (2:20)
  •  
    ST.11 - Beats (3:44)
  •  
    Q&A Best Advice For Beginners (2:10)
  •  
    Q&A How To Get Into Stunts (3:34)
  •  
    Q&A When Should You Use a Stuntman (1:20)
  •  
    Q&A How to Help Actors With Stunts (2:12)
  •  
    Final (0:25)
  Fight Scene
  •  
    11.1 - Location Scouting (13:10)
  •  
    11.2 - Choreographing a Fight Scene (10:28)
  •  
    11.3 - How to Shoot a Fight Scene (11:14)
  •  
    11.4 - How to Sell a Fight Scene (10:03)
  •  
    11.5 - Recording a Grunt Pass (8:46)
  •  
    11.6 - Fight Sound Effects (7:32)
  •  
    11.7 - Editing Your Fight Scene (9:13)
  •  
    11.8 = Fight Scene Editing: Tips and Tricks (12:20)
  •  
    11.9 - Advanced Fight Scene Editing (14:07)
  •  
    Fight Scene - Quiz
  Special Effects
  •  
    14.1 - Tracking Your Footage (13:34)
  •  
    14.2 - Advanced Tracking (9:55)
  •  
    14.3.1 - The Lightsaber Effect (13:53)
  •  
    14.3.2 - Download After Effects Plug-ins (7:32)
  •  
    14.4 - The Lightsaber Effect (The Easy Way) (10:17)
  •  
    14.5 - The Lightsaber Clash Effect (11:34)
  •  
    14.6 - Advanced Lightsaber Masking Techniques (15:05)
  •  
    14.7 - Where to Find Stock Footage (7:01)
  •  
    14.8 - Muzzle Flashes (10:21)
  •  
    14.9 = Bullet Shells (20:03)
  •  
    14.10 - Advanced Bullet Shells (11:35)
  •  
    14.11 - Bullet Hits (9:33)
  •  
    14.12 - Bullet Holes (13:14)
  •  
    14.13 - Getting Hit by a Car Effect (15:09)
  •  
    14.14 - Grenade VFX (15:26)
  •  
    14.15 - Star Wars Blaster Tutorial (14:46)
  •  
    14.16 - Blaster Deflection Tutorial (11:30)
  •  
    14.17 - Sniper Scope Tutorial (17:31)
  •  
    14.18 - Movie Poster Tutorial (14:58)
  •  
    Special Effects - Quiz
  Makeup Course Taught By Mary Smit
  •  
    MA.1 - Introduction (2:23)
  •  
    MA.2 - Pre Production (13:01)
  •  
    MA.3 - Serving in The Makeup World (4:56)
  •  
    MA.4 - Union vs Non-Union (5:47)
  •  
    MA.5 - Set Etiquette (13:18)
  •  
    MA.6 - How to Setup Your Work Space Part 1 (15:04)
  •  
    MA.7 - How to Setup Your Work Space Part 2 (6:55)
  •  
    MA.8 - Mary's Favortie Products (7:14)
  •  
    MA.9 - Basic Female Makeup (31:30)
  •  
    MA.10 - Creating Sweat (8:54)
  •  
    MA.11 - Creating Bruises (12:01)
  •  
    MA.12 - Basic Male Makeup (15:16)
  •  
    MA.13 - Creating Dirt (8:13)
  •  
    MA.14 - Creating Cuts Part 1 (12:10)
  •  
    MA.15 - Creating Cuts Part 2 (7:00)
  •  
    MA.16 - Last Looks (5:50)
  •  
    MA.17 - Sanitation (10:28)
  •  
    MA.18 - Your Set Bag Part 1 (5:20)
  •  
    MA.19 - Your Set Bag Part 2 (8:12)
  •  
    MA.20 - Your Set Bag Part 3 (4:27)
  •  
    MA.21 - Your Set Bag Part 4 (6:10)
  Green Screen
  •  
    15.1 - Understanding Green Screen (7:00)
  •  
    15.2 - Green Screen 101 (12:00)
  •  
    15.3 - Lighting Your Green Screen (10:38)
  •  
    15.4 - Blending Your Subject (11:20)
  •  
    15.5 - Keying Your Subject (17:21)
  •  
    Green Screen - Quiz
  Slate Board
  •  
    10.1 - What is a Slate Board? (8:27)
  •  
    10.2 - What to Write on a Slate Board (11:04)
  •  
    10.3 - How to Use a Slate Board (12:56)
  •  
    10.4 - DIY Slate Board (21:05)
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    10.5 - Slate Board Apps (13:03)
  •  
    Slate Board - Quiz
  Special Videos
  •  
    19.1 - Should Christians Watch Movies with Swearing? (18:09)
  •  
    19.2 - Cinema Course Announcement Video (5:51)
  •  
    19.3 - Bruce Marchiano Interview (24:38)
  •  
    19.4 - Jon Erwin Interview (52:53)
  •  
    19.5 - Dallas Jenkins Interview (27:46)
  •  
    19.6 - Top 10 Christmas Movies (9:10)
  •  
    19.7 - How We Make An Episode (13:23)
  •  
    19.8 - Top 10 Movies (That Scared Me as a Child) (13:53)
  •  
    19.9 - Alex Kendrick Interview (21:06)
  •  
    19.10 = Office Tour (17:05)
  •  
    19.11.a - From the Past: Hannah's Birthday Cake (2:49)
  •  
    19.11.b - Hannah's Birthday Cake Reaction Video (3:20)
  •  
    19.12.a - From the Past: Southern Hosipality (5:46)
  •  
    19.12.b - Southern Hosipality Reaction Video (6:15)
  •  
    19.13.a - From the Past: Finish Well (18:42)
  •  
    19.13.b = Finish Well Reaction Video (18:29)
  •  
    19.14.a - From the Past: Boys in the Hood (4:52)
  •  
    19.14.b - Boys in the Hood Reaction Video (5:10)
  •  
    19.15.b - M for Mature Reaction Video (22:40)
  Red Camera
  •  
    21.1 - RED Camera Introduction (4:16)
  •  
    21.2 - The History of RED Cameras (7:26)
  •  
    21.3 - RED Camera Breakdown (6:33)
  •  
    21.4 - RED Camera Accessories (8:26)
  •  
    21.5 - RED Camera Setup (7:13)
  •  
    21.6 - RED Camera Menu (16:03)
  •  
    21.7 - Red Camera Interface (6:42)
  •  
    21.8 - RED Camera Buttons (6:24)
  •  
    21.9 - RED Camera Compression (5:38)
  •  
    21.10 = RED Camera Looks (6:20)
  •  
    Red Camera - Quiz
  Podcast
  •  
    Have a Question? Ask Away!
  •  
    PODCAST - January 1st
  •  
    PODCAST - January 16th
  •  
    PODCAST - February 2nd
  •  
    PODCAST - March 31st
  •  
    PODCAST - April 14th
  •  
    PODCAST - June 14th
  •  
    PODCAST - June 21st
  •  
    PODCAST - July 21st
  •  
    PODCAST - August 1st
  •  
    PODCAST - August 24th
  •  
    PODCAST - September 29th
  •  
    PODCAST - October 17th
  •  
    PODCAST - November 22nd
  •  
    PODCAST - February 14th
  •  
    PODCAST - May 31st
  •  
    PODCAST - November 7th
  Adobe Encore - (Discontinued By Adobe)
  •  
    16.1 - Introduction to Encore (4:38)
  •  
    16.2 - How to Get Encore (4:47)
  •  
    16.3 - Overview of Encore (6:49)
  •  
    16.4 - Starting Your Project (4:53)
  •  
    16.5 - Getting the Encore Library (4:57)
  •  
    16.6 - Importing Your Project (9:12)
  •  
    16.7 - How to Create a Basic Menu (8:21)
  •  
    16.8 - Understanding Your Flowchart (9:03)
  •  
    16.9 - Creating Custom Menus (7:09)
  •  
    16.10 = Understanding Layers (5:24)
  •  
    16.11 - Creating Buttons (6:35)
  •  
    16.12 - Creating a Menu in Photoshop (9:32)
  •  
    16.13 - Creating Chapter Markers (10:15)
  •  
    16.14 - Button Highlights (7:11)
  •  
    16.15 - Button Routing (8:37)
  •  
    16.16 - Exporting your DVD (9:43)
  •  
    Copy of 16.15 - Button Routing (8:37)